Thomas Devaney

The beginnings concept (PoemTalk #9)

John Ashbery, 'Crossroads in the Past'

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Our PoemTalkers — this time, Gregory Djanikian, Tom Devaney and Jessica Lowenthal — gathered to talk about a late poem by John Ashbery, “Crossroads in the Past,” from his book Your Name Here (2000). Amid the usual Ashberyean ontological bounty, here’s a poem that disentangles the crossed lines of narrative middles and ends (and beginnings). Straightens things out, or at least imagines the goodness of such straightness. And indulges in a nostalgia for the way things were at the start.

Is it age — or the loss of a loved one — that draws an anti-narrative poet to beginnings at the end? That, in short, is the question we posed of this poem. And does such a thing undermine a career-long devotion to middles with implied pre-stories? The wind blows in the direction it blows, and can’t be “wrong.” What about a “relationship”? Can — or should — a relationship be talked back to its beginnings, a narrative housecleaning?

Jessica and Greg decided finally that the apparently definitive ending dead-ends in an obvious imagery and sentiment. Tom and Al disagreed, seeing the poem as thus a meta-poem: a poem about the poet who has reached a point where he must re-imagine “the beginnings concept” and who realizes its failure.

John Ashbery read this poem as a Kelly Writers House Fellow in the spring of 2002. We have video recordings of the reading and an interview/conversation moderated by Al Filreis.

Tom Devaney's poem written for my 50th

Tom Devaney wrote a poem to mark my 50th birthday back in March of 2006. It was recently published in Arts Poetica and here's the link. The poem that Tom read at our post-9/11 event — called "Finding the Words" — I found very beautiful and moving, even though — as Tom pointed out — it had nothing directly to do with the World Trade Center attacks and had been written six months earlier.

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