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I considered Sophia Le Fraga’s “W8ING 4” as a conceptual video-poem. I immediately placed it as a contemporary revision of Samuel Beckett’s Waiting for Godot by the opening phrase, “nothing 2 b done.” Le Fraga’s work also seemed more play than poem in its use of the mobile phone screen as a stage and deployment of texting as a means to update Beckett’s famous exploration of meaning, modern alienation, and the nature of human bonds.
First, some a priori statements. A poem is made out of language. Language arises out of need; most of our basic communication needs are denotative. Poets play with language in ways that other language users don’t (and when they do, we might say that such use of language is poetic).