I think that we’ve had enough generalizations about various different types of New Zealand poetry for a bit. It’s time to descend to cases. But which poems should we talk about?
There’s not much point in doing a mini-anthology of my favourite contemporary poets. In any case, that’s something I’ve already been asked to do for Jacket2. It appeared last year as the feature “Look and look again: Twelve New Zealand Poets.”
Instead I thought it might make sense to concentrate on big-issue public poetry: those “state-of-the-nation” poems which poets more often find themselves writing by accident than actually sitting down to compose (or so I suspect, anyway).
Robert Lowell specialized in such poems: “For the Union Dead”, for example – or “Waking Early Sunday Morning.” It’s a form of engagé, ex cathedra discourse which many modern readers are understandably suspicious of, but when you reread those Lowell poems, or Derek Walcott’s superb sequence “The Schooner Flight,” or even Philip Larkin’s “The Whitsun Weddings,” it becomes clear that there are ways of avoiding pompous attitudinizing within this mini-genre.
A few months ago, during Robert Grenier's most recent visit to Philadelphia, I sat with him — joined by Bob Perelman and Ron Silliman — and talked about his life and work in the early period, covering roughly 1958 through 1964. We talked a lot about his experience (in two stints) at Harvard. During the second of these he met and was taught by Robert Lowell. In between he wandered to San Francisco and met Robert Creeley in New Mexico. The recording of this 1 hour, 16 minute discussion is available on the Grenier author page at PennSound. Here is a direct link to the audio.