Michael Nardone and I have been corresponding about his interest in PennSound. He's currently spending a few months on Vancouver Island, but typically he and his wife live in a cabin on the east arm of Great Slave Lake in the Northwest Territories. (If you want to check this out on Google Maps, look for the town of Yellowknife and move about 150 km eastward.)
What is the northernmost listening to PennSound? It seems likely that Michael holds that record. "Probable northernmost Pennsound listening," he writes, "took place during a week up in Resolute. I remember listening to David Antin's war talk with a few arctic scientists stationed there."
Tonight John Tranter and I are sending out the following announcement:
We are writing with news of a transition we both deem very exciting.
By the end of 2010, John Tranter and Pam Brown will have put out 40 issues of Jacket (jacketmagazine.com). It began in what John recalls as "a rash moment" in 1997 - an early all-online magazine, one of the earliest in the world of poetry and poetics, and quite rare for its consistency over the years. "The design is beautiful, the contents awesomely voluminous, the slant international modernist and experimental." (So said _The Guardian_.)
After issue 40, John will retire from thirteen years of intense every-single-day involvement with Jacket, and the entire archive of thousands of web pages will move intact to servers at the University of Pennsylvania in Philadelphia, where it will of course be available on the internet to everyone, for free, as always. But the magazine is not ceasing publication: quite the opposite.
Starting with the first issue in 2011, Jacket will have a new home, extra staff and a vigorous future as Jacket2. Jacket and its continuation, Jacket2, will be hosted by the Kelly Writers House and PennSound at the University of Pennsylvania.
The connection with PennSound, a vast and growing archive of audio recordings of poetry performance, discussion and criticism, is seen as a valuable additional facet of the new magazine, as is the relationship with busy Kelly Writers House, a lively venue for day-to-day poetic interchange of all kinds. The synergy in this three-way relationship has great potential.
Al will become Publisher and Jessica Lowenthal, Director of the Writers House, will be Associate Publisher. The new Editors will be Michael S. Hennessey (currently Managing Editor of PennSound) and Julia Bloch. John will be available as Founding Editor, and Pam will continue as Associate Editor.More news about Jacket2 in the weeks and months to come. Meantime, the Jacket2 folks extend gratitude -- as many in the world of poetics do -- to John and to Pam Brown for the extraordinary work they've done. And John, for his part, is mightily pleased that Jacket will be preserved and will continue and grow in a somewhat new mode but with a continuous mission and approach.
My dear old friend John Richetti has been recording an anthology of restoration and 18th-century poetry for several months - for PennSound. And today we are announcing the completion of this new sound anthology, hoping that (among others) teachers are able to use it to bring the poems to life and to present an easy-to-access (and free, of course) set of downloadable files. This is the first of its kind for this body of writing, so far as we know.
A few weeks ago I wrote about having invited six poets each to teach a short poem to high-school student. I commented in particular about teaching the constraints of the haiku and its possible special connection to high-school kids’ understanding of poetry today — what with their sense of extreme limits (texting, Twitter’s 140 characters, etc.).
University of Pennsylvania: PENNsound, writing.upenn.edu/pennsound and Kelly Writers House webcasts. A stellar project at Penn, PENNsound is “committed to producing new audio recordings and preserving existing audio archives.” Here you can listen to readings from 1950s to today and often find great extras and links to other exciting websites.
I produced a new PennSound podcast, the sixth in the series; it presents an overview of PennSound, its mission and its pedagogical assumptions and implications. In discussing how students, teachers and readers can use PennSound's materials, I use as an example Rae Armatrout's poem "The Way," about which I've written in an earlier entry here.
After we put up the Ezra Pound recordings, we got a raving fan note from poet Peter Gizzi (who has his own PennSound author page), and here is what Peter wrote:
I LOVE, I mean LOVE that Pennsound has put up all the Pound material. I have it all in bootlegs and tapes of course but it is wonderful to have it there, finally, I mean it is THE MOST OUT there of anything on that site or ubu web! EP is the best. I used to listen to those tapes over and over in my car in the late 70’s when I was a teenager. To me it was Punk. And hearing it now it brings back summer and my youth! Listening to the Spoleto recording, maybe my fav for its restrained intensity, I am taken aback just how his late syntax has totally effected me. Liz and I were listening and we could hear my poem Homer’s Anger loud and clear for instance. Amazing. And Richard’s head note makes me want to listen further.