Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Russell Chatham (of Clark City Press, Livingston, Montana) in conversation with Noel King
From Jacket #3 (April 1998)
Noel King: What role do you think the small press plays in relation to the overall culture of book publishing?
Russell Chatham: My view of things, and it’s promoted by being physically distant from any publishing centres, derives from the fact that I was discouraged by experiences I had with larger publishers. As time has passed it seems they have taken less and less interest in what you might call serious books, or literary books, and look primarily toward large-profit items. And I suppose you can’t blame them: this is the world they live in and that seems to be what’s happening. That’s a discouraging situation for a lot of writers. When I started Clark City Press, it was always going to be a very small press; we could only think of publishing five to eight books a year. This was a lot for us but not much relative to the possibilities out there. And one of the things that was an eye-opener for me was how many manuscripts came unsolicited to us; hundreds, if not thousands, many of which were eminently publishable. What that showed me was how many serious writers had nowhere to turn, they were scratching at every possible opportunity to get their work published. And then you realise that the larger, traditional publishing houses aren’t picking up on these works. According to the sources I have, those companies no longer even have readers. Twenty years ago a person could say, “send a manuscript in to Doubleday” and somebody would sit down and read it and if it was good, they might even consider publishing it. That doesn’t exist any more. So, particularly for younger people or people just starting out, it’s a very discouraging landscape to view.