In early 2008, Noah Eli Gordon interviewed Jennifer Moxley. The interview was originally published in The Denver Quarterly (Volume 43, Number 1:2008), and reprinted in Jacket magazine number 37. It is 17 pages long.
Noah Eli Gordon: 2007 saw the release of two major works: The Middle Room, a memoir clocking in at over 600 pages, and The Line, a collection of prose poems. Although publication dates often create a false trajectory of a writer’s past and present concerns, when read in tandem, these two very different prose works seem to share not only various emotional and intellectual concerns, but also specific content. For example, early on in The Middle Room you recount the discovery in the garage of “an enormous stack of love letters” written by your father and addressed to your mother, which gave you a fuller sense of him as a person outside of your own experience. This particular passage took on a renewed significance for me while reading in The Line the poem “The Cover-Up,” where you include the following: “On occasion, material evidence contradicts memory. Like when you found the letters they’d written in which he’d said affectionate things and all of her years of negative campaigning went completely down the drain.” Whether or not this is a reference to that same discovery, the poem created a link for me between your various projects.