Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
'My Epic'
Aaron Shurin, Robert Duncan, and the New College of California
As those of you who read my first commentary know, I have sought out contemporary poets in order to discover how they might frame their own relationship to the epic form. The responses coming in have been fantastic. (For those of you who read commentary number one, I also cleaned my coffee maker with vinegar. The results? Similarly fantastic.)
The question (stripped of framing apparatus) that I posed to a wide variety of writers was this: “Which epics do you consider part of your own lineage (as a poet, performer, teacher, scholar, reader . . .) and why?” I purposely defined neither “epic” nor “lineage.” I wanted to see in what ways these terms were generative to contemporary poets, and what definitions were alive for them.
Given the epic’s role in nation making, through the retelling of nationalist history, I found Aaron Shurin’s response exciting, especially its own retelling of a period in poetic history.