Michelle Dizon

Art: site and sight

Framed perception, directed attention

Michelle Dizon, Perpetual Peace
Michelle Dizon, Perpetual Peace

This post is simply to express my gratitude to the three artists whose images have accompanied my writing for Jacket2—Sandra de la Loza, Pato Hebert and Michelle Dizon—in these final weeks of my stint as a commentator. The presence of excerpts from their work in the header of each of my posts (like the company of writers and artists contributing to the vibrancy of this new incarnation of Jacket) gives me something to live up to each time I sit down to write. I often ask myself which conversations I most passionately want to inhabit, and how best to go about creating and/or entering the spaces of those conversations. When I consider work like Sandra’s, Pato’s and Michelle’s, I realize I am (at least some of the time) already in those conversations.

If you didn’t have a chance to explore some of the links in the sidebar text during the past months, please begin your investigations now! The current sidebar text features information on Michelle Dizon.

Excavations of subsoil and surface

A letter from Hugo García Manríquez

This commentary is a collaboration.

Rogovin photo 

Milton Rogovin, Appalachia, 1962-1987

Syndicate content