Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Anthropophagy & you
Dear Readers, by a happy coincidence, today (January 11) is the inaugural post of Brazilian poetry and poetics, and the birthday of Oswald de Andrade, one of the founding poets of Brazilian modernism. "Tupi, or not Tupi that is the question," Oswald famously asked (in English) in the Manifesto Antropófago (Cannibal Manifesto, 1928), which adopted cannibalism (and the figure of the indigenous Brazilian cannibal) as a metaphor for a new Brazilian art that would devour and assimiliate European culture and the European vanguards along with local nature and culture to produce a native national art free of its colonial past. Oswald's writing has touched every Brazilian poetic vanguard since.