Lila Zemborain

'Not like normal stars'

Amy Catanzano

Image of brown dwarf star 2M1207 and a companion object, 2M1207b. The image may be "the first extrasolar planetary-mass companion to be directly imaged and is the first discovered orbiting a brown dwarf." Courtesy of ESO and Wikipedia: http://www.eso.org/public/images/26a_big-vlt/

The impulses that inspire poets to think through science span from investigative, speculative, conceptual, documentary, and more to impulses that use science as a form of address to and from the notion of the other. Lila Zemborain, in Mauve Sea-Orchids (Belladonna, 2007, trs.

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At the opening

Eric Schmaltz

The mouth opens. It burps and yowls, gasps and laughs, mumbles and yawns. The mouth sings —loudly or quietly and can do it with a shimmer. The mouth whispers. The mouth SCREAMS. The mouth speaks, stutters, and stops.

Five questions for Alan Lau

Anna Maria Hong

‘slumber’ by Alan Lau, courtesy of the ArtXchange Gallery

For this week’s commentary, I interviewed the poet, visual artist, and editor Alan Lau. Alan has served as the arts editor for the Seattle-based Asian Pacific Islander American newspaper The International Examiner for over thirty years, curating the paper’s literary, visual, and performing arts coverage and the book review supplement the Pacific Reader.

The best of all possible Audens

A review of 'Goodnight, Marie, May God Have Mercy on Your Soul'

David Pritchard

Poetry makes nothing happen. Since 2008, it’s been pretty common for contemporary poetry and the discourse about it to swirl anxiously around this line from W. H. Auden. Nobody likes it; everybody quotes it. But in quoting it, nobody tries to argue for some distance between poetry and politics. It’s more like the question of whether poetry (and art more broadly) is or is not political has been answered by the movement of history — it is.