Of all the new writing I’ve encountered in the last few years, Aaron Winslow’s is certainly a favorite. It’s post-apocalyptic, full of body issues, and the prose itself, the way it's written, is hilarious — it’s the kind of comic relief I need after a long day at my own job of the great misery. Aaron himself is pretty funny but also pretty humble, so instead of interviewing him I convened a roundtable. I didn't tell our panelists why I chose them — didn't want to put any pressure on — but each of them delivered here exactly what — even more actually — than I had imiagined. I knew these three would produce a great conversational balance together — and you'll see below they did.
Sometime around late August/early September, I had lunch with one of the young women writers I see often in New York. She told me she had recently been to a reading in Philadelphia where Holly Melgard had, as she described, “performed childbirth, not actual childbirth, obviously, but just like made noises like she was in labor, and it was really loud, and people were really upset by it.” This performance apparently caused a great reaction. A number of people were furious, some felt insulted; why would some young girl who has never had a baby do something like that? That's what it seemed to boil down to, according to my friend.
Well, only Holly Melgard can answer that. But let's not pretend the WHY question is really just about explanation. Discussion about a controversial choice made by an artist opens up opportunities for all kinds of analysis. And with the sharp increase in people choosing to not bear children, emotions on this issue seem to be running high in our culture. From what I'd heard, Melgard landed herself squarely in the middle of it when she performed in Philly.