“How It Works” is a column where I ask contemporaries for new ideas and terms to help us describe and analyze writing happening now. For my first guest I've invited Chris Alexander, my partner, the esteemed author of Panda, CEO of United Plastics, and co-editor, with me, of Truck Books, is a poet, professor, and graphic designer who reads a lot of German Media Theory, and also works on Robert Duncan. First, a little background on my assignment for him.
A few years ago, there was serious talk of creating an anthology of critical essays on conceptual writing. A number of people started essays, but then many aspects of the project were abandoned by different people for different reasons, and the anthology was not made. Then, last summer, Steve Zultanski was asking anyone who wanted to write collective manifestoes about contemporary poetry. These were both useful exercises for many of those who participated, but ultimately I think what emerged was the realization that few of us agreed on much, that people were coming from all manner of position on what was important, and that having emerged from different traditions gave us very different frameworks for imagining the situation. This difference is useful and good for learning and dialogue, not so good for group definitive statement-production.