Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Sonic thresholds
Transitions and transformations
This post’s playlist presents recordings from the PennSound archive that explore the continuum between language, music, and other types of sound.
I want to begin with a few related recordings of Nathaniel Mackey and his ongoing serial poem Song of the Andoumboulou. In Mackey’s introduction to a 1997 KWH reading he discusses the poem’s relationship to the Dogon funeral song of the same name, recorded by Francois Di Dio in 1974. Listen to Mackey’s poem Song of the Andoumboulou: 18. I am always struck by this moment when, near the end of the Dogon recording, as the pitch from the horn wavers up and down, I hear an ambiguity between what could be perceived as a human shout and the sound of a musical instrument. It’s this type of threshold point that has been in the back of my mind when I listen to poetry recordings lately.