A review of Lauren Levin's 'Justice Piece // Transmission'
Lauren Levin’s second book, Justice Piece // Transmission, is comprised of two essayistic poems that continually untangle and reconstruct the web of contradictions that shape the speaker’s ever-complex, and always self-questioning, inner narrative.
Lauren Levin’s second book, Justice Piece // Transmission, is comprised of two essayistic poems that continually untangle and reconstruct the web of contradictions that shape the speaker’s ever-complex, and always self-questioning, inner narrative. In both pieces, Levin traces anxiety back and forth from its source: the social, material fabric that challenges any “total” understanding of what it means to be a person — a queer person — and a queer gender-fluid person — in the world right now.
Sonic thresholds
Transitions and transformations
This post’s playlist presents recordings from the PennSound archive that explore the continuum between language, music, and other types of sound.
I want to begin with a few related recordings of Nathaniel Mackey and his ongoing serial poem Song of the Andoumboulou. In Mackey’s introduction to a 1997 KWH reading he discusses the poem’s relationship to the Dogon funeral song of the same name, recorded by Francois Di Dio in 1974. Listen to Mackey’s poem Song of the Andoumboulou: 18. I am always struck by this moment when, near the end of the Dogon recording, as the pitch from the horn wavers up and down, I hear an ambiguity between what could be perceived as a human shout and the sound of a musical instrument. It’s this type of threshold point that has been in the back of my mind when I listen to poetry recordings lately.