Julia Bloch

The fuck-you bow (PoemTalk #90)

Gertrude Stein, 'How She Bowed to Her Brother'


Maxe Crandall, Julia Bloch, and Sarah Dowling joined Al Filreis to talk about Gertrude Stein’s “How She Bowed to Her Brother.” It was written in late 1931. The text can be found in A Gertrude Stein Reader, edited by Ulla Dydo (564). On PennSound’s Gertrude Stein page, which has been edited and annotated by Dydo, one can hear a recording of Stein performing the first section of the three-section poem.

Julia Bloch to become director of Creative Writing at Penn

Gregory Djanikian is retiring at the end of this academic year from full-time work at Penn after many, many successful years as director of the Creative Writing program. Everyone who has worked with Greg will miss his generosity, patience, administrative ingenuity, his fine stewardship of the program, and his consistently superb teaching in poetry workshops. We won't have to miss him too terribly much, however, as he will be back each spring semester to teach a class.

What is the place of lyric in modern and contemporary poetry?

Lyric, meaning "of or pertaining to the lyre," has a concertedly interdisciplinary origin rooted in its practice of bringing poetry together with music. As many critics—including those responding below—have shown, the lyric has had a long and complicated history, the term evoloving over the centuries to take on different valences, connotations, and even denotations. So what does lyric mean today and in our recent past? Does lyric retain in some way its relation to the lyre, pictured above in Henry Oliver Walker's Library of Congress mural Lyric Poetry (1896)? Where do we find lyric in modern and contemporary poetry? And what might the future of lyric look like? —Katie L. Price

Respondents: Jennifer Ashton, Julia Bloch, Virginia Jackson, Susannah B. Mintz 

A day like any other (PoemTalk #85)

James Schuyler, 'February'

from left: Erica Kaufman, Bernadette Mayer, Al Filreis & Julia Bloch—during a live interactive webcast that preceded this PoemTalk session by a few hours.


Bernadette Mayer, Julia Bloch, and erica kaufman joined Al Filreis to discuss James Schuyler’s poem “February.” Schuyler read the poem at the Dia Art Foundation in New York on November 15, 1988. John Ashbery gave the introduction, emphasizing how reluctant Schuyler was to read in public. He noted: “As far as I know, this is the first public [reading] he has ever given.” One can tell from the tone of Ashbery’s remarks that he felt that he and the audience were in for a rare treat, a savoring for which years of waiting were worthwhile.

The I as hieroglyph (PoemTalk #84)

H.D., 'Helen in Egypt'

Photo credit: H.D. Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University and New Directions Publishing.


Julia Bloch, Dee Morris, and Annette Debo joined Al Filreis for this extended episode of PoemTalk, and their task — to give a sense of the whole of H.D.’s lyric epic Helen in Egypt through a discussion of five selected small parts — certainly pushed at the limit of PoemTalk’s scope and mode.

Mayer and Good

From left to right: erica kaufman, Julia Bloch, Bernadette Mayer and Philip Good — at the Kelly Writers House, October 21, 2014, on a day when Mayer participated in a live webcast conversation with participants in the free, open online course called ModPo, recorded a session of PoemTalk on "February" by James Schuyler, and gave a reading with Philip Good. The recording of the webcast discussion is available here. The recording of the Mayer/Good reading is available here. The events are fully described here.

On H.D.'s imagism

A 27-minute introductory discussion

Here is a new 27-minute introductory discussion of H.D.’s imagism — with Dee Morris, Julia Bloch, and Annette Debo: MP3.

Revolutionary vibe (PoemTalk #79)

Joanne Kyger, 'It's Been a Long Time: Notes from the Revolution'

Joanne Kyger with Jack Boyce on the Bolinas mesa in 1969.


Julia Bloch, Stephen Ratcliffe, and Pattie McCarthy joined Al Filreis for a discussion of a poem by Joanne Kyger called “It’s Been a Long Time: Notes from the Revolution.” Readers can find the text of the poem in Kyger’s volume of selected poems, As Ever (2002). The poem was written in the early 1970s. PennSound’s recording of Kyger’s performance of the poem is an audio segment extracted from the video-and-audio recording made of the television show — the March 28, 1978, episode of Public Access Poetry.

Word up (PoemTalk #74)

Whitman's 'Out of the Cradle Endlessly Rocking' as performed by Basil Bunting


Amy King, Julia Bloch, and Tom Pickard — before a live audience — joined Al Filreis to discuss Basil Bunting’s 1977 performance of Walt Whitman’s “Out of the Cradle Endlessly Rocking.” On that occasion, a reading at the University of Newcastle-upon-Tyne, Bunting read poems by Thomas Wyatt, Ezra Pound (Cantos I and II), Edmund Spenser, and Louis Zukofsky, as well as this poem by Whitman. The full reading of “Out of the Cradle” runs some nineteen minutes.

Tired, poor, huddled, gentrified (PoemTalk #58)

Bernadette Mayer, "The Tragic Condition of the Statue of Liberty"


Most of us who have read Bernadette Mayer's poem, “The Tragic Condition of the Statue of Liberty,” encountered it in Andrei Codrescu's anthology American Poetry since 1970: Up Late (1987), where it was joined by her “Laundry & School Epigrams” (written in the same spirit) and eight of her other poems. PennSound’s recording of “The Tragic Condition” comes from an Ear Inn reading that took place in October of 1988. 

For this episode of PoemTalk, Al Filreis convened Anne Waldman, Julia Bloch, and Katie Price to talk about this poem and Mayer’s approach to tragic conditions generally.

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