Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Confidences, liberties, intimacies, trusts
Reading Juan Gelman
Thinking today about Argentinian poet Juan Gelman and crossing borders, following the small essay yesterday on his work in the Madrid newspaper El País. To quote a footnote (already also a border) in Wikipedia on Gelman—(I suggest reading the whole article!): “ ‘I am the only Argentinian in the family. My parents and my two siblings were Ukrainian. They immigrated in 1928.’ In the same brief autobiographical text, Gelman states that his mother was a student of medicine and the daughter of a rabbi from a small town. ‘[My parents] never shut us up in a ghetto, culturally or otherwise. [...] I received no religious education.’ Gelman would later write some poems in Ladino, i.e., Judeo-Spanish; he is also known for being sharply critical of Israel.”
The article quotes a Gelman poem in its entirety, Confianzas, a word that in Spanish has so many echoes: confidences, liberties, intimacies, trusts: “se sienta a la mesa y escribe / ‘con este poema no tomarás el poder’ dice / ‘con estos versos no harás la Revolución’ dice / ‘ni con miles de versos harás la Revolución’ dice // y más: esos versos no han de servirle para / que peones maestros hacheros vivan mejor / coman mejor o él mismo coma viva mejor / ni para enamorar a una le servirán // no ganará plata con ellos / no entrará al cine gratis con ellos / no le darán ropa por ellos / no conseguirá tabaco o vino por ellos // ni papagayos ni bufandas ni barcos / ni toros ni paraguas conseguirá por ellos / si por ellos fuera la lluvia lo mojará / no alcanzará perdón o gracia por ellos // ‘con este poema no tomarás el poder’ dice / ‘con estos versos no harás la Revolución’ dice / ‘ni con miles de versos harás la Revolución’ dice / se sienta a la mesa y escribe”.