Gertrude Stein

Marjorie Perloff: A short response to Alan Dershowitz

In his Huffington Post piece, "Suppressing Ugly Truth for Beautiful Art" (1 May 2012) Dershowitz writes:

Gertrude Stein's war years: Setting the record straight

A dossier edited by Charles Bernstein

Over the past several years, Gertrude Stein’s war time record has been subjected to a stream of misinterpretations, distortions, and disinformation in the mainstream press. Most of these articles are written by authors who are hostile to Stein's literary works and who admit to their inability (and unwillingness) to read her work, including the works by Stein that directly address the issue at hand. In this Stein dossier, key documents are provided that refute the sensational tabloid accounts of Stein's activities, views, and affiliations during the war  years, when  she and Alice B. Toklas lived in Bilignin, France (near Lyon and Geneva). Stein's  connection to the Vichy government is complex and these complexities are fully explored in the essays and articles linked here. 

Edward Burns, in his essay published for the first time as part of this dossier, writes that “the translation of Pétain’s speeches has preoccupied Stein’s detractors in recent years; they have used it as the wedge (along with a clearly ironic remark about Hitler’s deserving the Nobel Peace Prize) to denounce her — the denunciation by extension extends to her literary works.

Edward Burns, Gertrude Stein: A complex itinerary, 1940-1944

A version of this paper by Edward Burns, titled “So I Went on Looking at Pictures: Gertrude Stein’s Last Decade,” was delivered as part of Sundays at the Met, April 29, 2012, in conjunction with the exhibition The Steins Collect.

Joan Retallack on Stein's war years from her introduction to "Gertrude Stein: Selections"

(Berkeley: University of California Press, 2008)

“Stein and History”

(The "Stein and History" section of Retallack's  introduction is available as a pdf here.  She wrote this headnote for the Stein dossier.)

Mac Low writing through Stein

Stein's "A Long Gay Book" rewritten by Mac Low's diastic Stein series: notes on "Very Pleasant Soiling (Stein 7)"

Jackson Mac Low made available several sections of his Stein series on his EPC page. I sometimes introduce my students to this series by reading and discussing with them number 7, titled “Very Pleasant Soiling.” Mac Low’s notes, as usual, describe the process by which this (and other) pieces in the series were composed:

Dennis Brutus's creative activism

Dennis Brutus testifying before the United Nations in 1967 on behalf of the South African Nonracial Olympic Committee as well as South African political prisoners. [African Activist Archive]

Kaia Sand

Jules most recently wrote about poetry, dissent, and the Olympics, and in this capacity, the late South African poet Dennis Brutus was legendary. African Activist ArchiveDespite the fact Brutus said he was “never a good athlete,” he turned to sports as a focus for his activism (“I was reasonably good at organizing,” he explained), and began organizing sports competitions in the 1940s at the high school where he taught (Brutus 38). Through his affiliation with a number of anti-apartheid activists, he homed in on the Olympics with his sports-organizing talents, finding a contradiction between the Olympic charter (which forbade racial discrimination by participating countries) and the apartheid government of South Africa.

Jackson Mac Low reads Stein's "Tender Buttons"

an audio recording newly available

On October 11, 1990, Jackson Mac Low read from Gertrude Stein's Tender Buttons for seven minutes. You'll hear the voice of Charles Bernstein as he and others (members of Bernstein's class at Buffalo at the time) scramble to find a copy of the Stein. Then Mac Low spent a few minutes discussing the "Objects" section.

A Gertrude Stein book review

This review appeared in the literary magazine Ex Libris (published in Paris by the "American Library in Paris"), issue of June 1925, p. 278.

Compare two reviews of Alfred Kreymborg's Troubador, a chatty group-bio/memoir of the high-flying modernists of Europe and New York in the late 1910s and early '20s. One is Gertrude Stein's book review published in Ex Libris, a magazine put out in Paris. The other, written by Mark Van Doren, was published in the Nation. For a clearer view of the review as it appeared in print, click here.

Douglas Messerli on The Gertrude Stein Awards in Innovative American Poetry

from Jacket #32 (April 2007)

The essay below will serve as the introduction to the Green Integer publication, due out in early 2007, of The PIP Gertrude Stein Awards in Innovative Poetry in English 2005-2006. I felt that readers of Jacket might be interested in this introduction because of my comments on the current reception by the larger newspapers, awards, and prizes concerning what might be described as innovative or — I think a far better term — exploratory poetic and poetics. Obviously, most of the writers of the kind of poetry with which I am concerned have long ago recognized the absence of discussion and acceptance of their poetry in the venues I describe; but I think it is important to reiterate the increasing hostility of the national media and other self-proclaimed arbiters of contemporary poetry to the wide range of poetic writing today—not only in the US, but throughout the world in English. To me it still remains utterly shocking—particularly because it has been so longstanding — that publications such as The New York Times Book Review, Los Angeles Times Book Review, the Times Literary Supplement, the National Book Award, the Pulitzer Prize, and National Book Critics Circle Award and numerous other places available for reviews and recognition of poetry remain so narrowly focused in their definitions of poetic expression.

A note on teaching Stein: how four can be a pair

Gertrude Stein, "Readings" (1921)

Kisses can kiss us
A duck a hen and fishes, followed by wishes.
Happy little pair.

- - -

I adore this little poem. It's got a lot of Stein in it  — and by that I suppose I mean that it's teachable in an introduction to Stein overall. Back in 1999  I recorded a short improvised reading of the poem with Shawn Walker and have now converted it to mp3 and added it to the English 88 intro to modernism pages.

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