On Leslie Scalapino's 'How Phenomena Appear to Unfold/the Hind'
It is difficult to conceive of a literary work spun out of “spatial motion.” To read and consider a poem that defies iconographic metaphor and symbolic interpretation, a poem intrstead composed out of language’s own phenomenal play, is to butt up against traditional values about poetry that still slide toward the pictorially descriptive.
Emancipation via elimination
Vanessa Place's 'Boycott Project'
For all their twists and spin, poets like Kamau Brathwaite and Charles Bernstein seem strikingly direct in their politics when compared to Vanessa Place and her poetics of iteration. Where in a work like World on Fire Bernstein clearly attacks the US invasion of Iraq, Place, like some other conceptual writers, seems to reject the idea that we might change the world by transforming our language. Indeed, at times Place takes direct aim at texts that seek a revolutionary change in the social order.
For instance, in her “Boycott Project,” Place reproduces feminist classics such as Simone de Beauvoir’s The Second Sex with all female-gendered words replaced by their male counterparts. (See Place’s The Father & Childhood.)