Funk's SoundBox

In audio practice I

Chris Funkhouser, Penn’s Rare Book and Manuscript Library, 2010
Chris Funkhouser working on Harry Mathews tapes, Penn’s Rare Book and Manuscript Library, 2010

I bought my first purposeful audio recorder, a simple handheld Sony cassette device, a week after completing Naropa’s Summer Writing Program in 1986—planning to use it as a composition tool, to “compose on the tongue” in Ginsbergian terms. Ginsberg described, in one of our classes, his successes and failures in using a recorder to “write” [see his Composed on the Tongue, Grey Fox (1980) for some discussion of his practice in this area]. His notion, writing-by-dictation, seemed compelling: I was about to embark on my first cross-country road trip so I imagined imparting my own observation dictations à la Fall of America. Little of substance came from that experiment, though I later ended up using that recorder to document some readings and band rehearsals; quality of these tapes, which I still have, is not good—this was rudimentary recording tech and cheap cassettes barely sustaining documentation.

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