Denton Welch

Magazines # 4

More Rabbit 1

Colour version of a b/w photograph by Nicholas Walton-Healey in Rabbit
Colour version of a b/w photograph by Nicholas Walton-Healey in Rabbit

Tim Wright's poem (see previous post, Magazines #3) plays off a fusion of open field and New York poetics pioneered by poets such as Laurie Duggan and Pam Brown; yet 'Suns' subscribes to neither, nor is antiformalist in the way of his precursors. Rather, I suggest Wright is conceptual, aformalist, in employing a kind of relaxed proceduralism. Which might sound like Ashbery by another name - yet the poem produced is unlike Ashbery's - for one thing, the tone is very different, its play both more random and more active.

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