contemporary

Retranslations Are Writing

from Chus Pato's Hordes of Writing
Chus Pato's poetics, from Hordes of Writing

Translators translate not just from one language to another, but from one space-time continuum into another. It’s a slippery movement, an open jaw, a stammer or wince whose sound is heard (mistakenly) as clear. “Like any act of writing,” writes Sergio Waisman in Borges and Translation: The Irreverence of the Periphery, “translation is always undertaken from a specific site: the translator’s language, but also the entire cultural and sociohistorical context in which translators perform their task.”

In peering with care into Jorge Luis Borges’ two essays on translation from almost eighty years ago, Waisman reminds us how Borges long ago insisted on the intricate cultural and social weight of words and culture in the transposition of text across languages. To read Borges’ essays is to depart forever from the old saw traduttore, traditore.

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