Veronica Forrest-Thomson, "S/Z" & "Lemon and Rosemary"
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The PoemTalk team once again went on the road — or, anyway, over the sea — and spent a glorious week in Scotland, talking and filming new discussions of poems with many colleagues. On one of those days we gathered with friends at the Fruitmarket Arts Center in Edinburgh. Poet Iain Morrison, one of the PoemTalkers in this episode and a member of the Fruitmarket staff, helped us coordinate and host this event. The other colloquists are Laynie Browne, Lee Ann Brown, and Anthony Capildeo.
March 21, 2024
CB: Cryptic chill
From all accounts, Christopher Brennan (1870 - 1932) was an unusal Australian poet. This in two senses: he was an unusual poet and scholar, and he was unusually "Australian". Unlike a good slab of his contemporaries, Brennan was not at all interested in contributing to a national colonial poetic. He once said in an interview that he may as well have written from China, so unimportant was place and national identity in his work. His interest in the French Symbolists, especially Mallarmé, has been well documented, but even where that longterm engagement is concerned, Brennan never imagined he was a Symbolist. His way of describing his aesthetic affinities was to say simply that one must live in one's time, and must find others to get along with. The Symbolists happened to be those closest to his own conceit.
Nevertheless, he was utterly committed to a thoroughly European poetics. Some of his manuscripts are collected at the State Library of NSW, and when I looked through a box of his materials, I found extensive lecture notes, poems, lists, essays, criticism and correspondence in Latin, Greek, French and German.