Pam Brown's recent gigantic feature for Jacket2 titled "51 Contemporary Poets from Australia" had a ghostly foreshadowing a year or so ago, in Pam's "Rewriting Australia" feature in Jacket 39, where some Australian poets wrestle with their poetic forebears. Banjo Paterson shows up as a punching bag several times, perhaps because he is an old, dead, conservative white male with his portrait on the Australian ten dollar bill.
[»»]Pam Brown: Rewriting Canonical Australian Poems: Introduction [»»]David Brooks: Cracks in the Fray: Re-reading ‘The Man From Snowy River’ [»»]Justin Clemens: Dürer: Innsbruck 1495 [»»]Michael Farrell: the king [»»]Michael Farrell: Anti-Clockwise Judith Wright: A ‘Widdershins’ Reading of ‘Bullocky’ [»»]Duncan Hose: Blue Hill 404 [»»]Banjo Paterson: The Man From Snowy River; John Tranter: Snowy [»»]David Prater: Three poems: Red Dawn Ward / Oz / “The Campfires of the Lost”
Clubs and Societies is the latest project of Sydney-based poetry organisation The Red Room Company. Last weekend I saw some results from this project at the Melbourne Writer's Festival. The concept is to link a poet with a club or society, and to commission them to write a poem about this contact. The two examples on display were poets Ali Alizadeh (assigned the Existentialist Society) and Omar Musa (Motor Gliding Club), who performed their poems at the event. The brains behind such Red Room schemes is Johanna Featherstone, who MC'd.