Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Poetics: further reading
from Introduction to Scholarship in Modern Languages and Literatures
ed. David Nicholls, published by the MLA
3d edition, 2007
This is the "Further Reading" supplement to my "Poetics" essay in the volume. The main part of my contribution is collected in Attack of the Difficult Poems: Essays and Inventions as "Professing Poetics.
I wrote this in 2006 and have not updated or revised it. The history and bibliography are highly condensed due to the space restrictions of the printed volume; so what I was able offer was no more than a brief sketch of possibilities and directions, with much elided.
For the long history of Western poetics any short list is bound to be reductive and misleading; still, anthologies such as Hazard Adams’s Critical Theory Since Plato offer a good start, though, for poetics, it would be better to begin not with Plato but with Heraklitus, who already offers a response to Plato’s banishment of poetics from the ideal republic. Even the quickest tour of the Western canon of poetics would include stops for Longinus and Lucretius, apologies for poetry by Philip Sydney and Percy Shelley, William Blake’s “Marriage of Heaven and Hell” and Algernon Charles Swinburne’s William Blake, William Wordsworth’s “Preface to the Lyrical Ballads” and Samuel Taylor Coleridge’s Biographia Literaria, alongside Lautréamont’s Les chants de Maldoror and that still-burning torch, Oscar Wilde’s The Decay of Lying. On the American side, Edgar Allen Poe’s Philosophy of Literary Composition and Emily Dickinson’s letters[i] complement Ralph Waldo Emerson’s essays and Henry David Thoreau’s Walden.