Ariana Reines

Spelling for humanity

A review of 'Spells,' edited by Sarah Shin and Rebecca Tamás

Image by Soraya Gilanni.
Image by Soraya Gilanni.

This is a book of poetry that does magic, that believes in the magic of word-casting and spell-ing. Spells introduces a variety of ways to spell in poems from a diverse cast of poets who echo the ideas of precursors like Ursula K. LeGuin: by naming something, magic is done and change is created.

Language work is a making and remaking of the world around us, a casting of spells: “To be a witch, then, is to know words.”[1Spells, an anthology edited by Sarah Shin and Rebecca Tamás, attempts to show the magical side of poetry and “the moment before the word, when everything inside you is broken open” (ix).

Not safe for porn

The erotic vs. the pornographic

Not this blue.

Audre Lorde’s essay “The Uses of the Erotic: The Erotic as Power” constitutes pages 53-59 in my edition of Sister Outsider. The paperback is a distinctive blue; it’s the kind of bright, medium blue you see in kindergarten posters or picture books about colors. It’s a color that always gestures: this is “Blue.” This is the color of instruction. I can always immediately locate my Sister Outsider, whether on my bookshelf or among the Jenga-like stacks of books on my floor, because of its blue.

Audre Lorde’s essay “The Uses of the Erotic: The Erotic as Power” constitutes pages 53-59 in my edition of Sister Outsider. The paperback is a distinctive blue; it’s the kind of bright, medium blue you see in kindergarten posters or picture books about colors. It’s a color that always gestures: this is “Blue.” This is the color of instruction. I can always immediately locate my Sister Outsider, whether on my bookshelf or among the Jenga-like stacks of books on my floor, because of its blue.

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