LISTEN TO THE SHOW
Paul Dutton is a sound poet, visual poet, essayist, and novelist from Toronto, Ontario. Paul was a member of the seminal sound poetry group The Four Horsemen from 1970 to 1988, and since 1989 he's performed in the improvisational trio CMCC with John Oswald and Michael Snow. Paul has also worked with the vocal art supergroup Five Men Singing, among numerous other collaborations.
Listening further to the _tinku_ of Andrés Ajens
One of the things that studies (listening!) in indigeneity teaches us is that we have to struggle—and it is a real struggle with our own unrecognized cauterizations—to avoid absorbing cultural ideas in a way that eviscerates and cannibalizes them for our own purposes (which is so easy to do… the North American academy did it, by and large, for example, to “deconstruction,” till Derrida was left to protest and to regret he’d ever used the word). Appropriation, always a part of art-making, has to be called into question when it involves eviscerating the cultural markings of another’s speaking or inscription, particularly when that “another” does not have the same societal privilege we do, or when our privilege rests upon the crushing of theirs.
Better that we eviscerate ourselves, realize our own agency (for appropriation is always done by an agent, a decider, an ego), open out and allow the collapse of our own instrumentalized reason and force.