Adam Cornford

The infinity in language

Plant (1960) by Remedios Varo
Plant (1960) by Remedios Varo

“Poiesis, in the deepest sense, is cosmology.” —Adam Cornford

In addition to poets using science as a source for metaphor, poets claiming science as a type of poetry, and poets conducting science as poetry, there are poets who are making science a determining element of their worldview. One such poet, Adam Cornford, whose poetry and critical works intersect with evolutionary biology, physics, cosmology, and more, and who Andrew Joron has called a “cosmo-surrealist,” has said in our recent conversations that his aim is to discursively imagine science as a way to “(re)imagine that which we know, especially that which we know indirectly, that is, by way of instrumentalities and mathematical schemata.”

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