I recently re-read Helen Vendler’s 1986 review of Milton Bates’s A Mythology of Self (1985) and Albert Gelpi’s collection of essays (The Poetics of Modernism, 1985) which included Marjorie Perloff on Stevens experience (or inexperience) during World War 2, Michael Davidson’s critique of Stevens as not a prosodic innovator, and Alan Golding on Stevens and Zukofsky. (I have insufficient space here to deal with Vendler’s complex reaction to Perloff’s piece – a topic that should surely occasion another foray into the matter.)
Vendler was in general not fond of the essays collected by Gelpi, but she did admire Milton Bates — whose meticulous book was the first full-length biographical/intellectual/historical reading of Stevens.
The ModPo TAs and I led a 90-minute close reading of two late poems by Wallace Stevens, “The Poem That Took the Place of a Mountain” and “The Plain Sense of Things.” Several participants (who drove up from Washington DC) joined us in the Arts Cafe of the Kelly Writers House, while hundreds joined by webcast. Several people phoned in their comments and questions, while a number tweeted and still others emailed us. We were also thrilled to welcome into the Writers House — by chance — Professor Elisa New of Harvard, a brilliant reader of Stevens and creator of a MOOC on early American poetry (up to Whitman and Dickinson). Lisa’s MOOC, sponsored by EdX, is not available yet, but, we expect, will nicely complement ModPo. The video recording of the session is available above (just click on the image atop) and is also viewable here at YouTube. Please note: the program begins at around 2 minutes into the video file here.
On April 18, 2013, at 12 noon (eastern time), I hosted a live webcast — an open discussion of two poems by Wallace Stevens: “The Plain Sense of Things” & “The Poem That Took the Place of a Mountain.” I was joined by the ModPo TAs. Participants in this session joined a collaborative close reading of the two poems, and had a chance to email questions and/or phone us to ask questions or make comments. Here is a link to the video recor
In August 1971, Philip Whalen performed “Scenes of Life at the Capital,” a 45-minute reading recorded by Robert Creeley who’d brought his tape recorder to the event. In a passage of “Scenes” — it comes to around two minutes of the reading — Whalen responds to Wallace Stevens. Here is that 2-minute passage: MP3.
Each January the people of the Kelly Writers House gather for an event called “The Mind of Winter.” The event begins with a group close reading of “The Snow Man.” Here is a link to the audio recording of the entire program.
On April 29, 1971, Louis Zukofsky gave a lecture on Wallace Stevens, and a reading of Stevens’s and his own poems in honor of Stevens, at the University of Connecticut. This recording has long been available through the Zukofsky PennSound page, and we are, as ever, grateful to Paul Zukofsky for giving us permission to use them for non-commercial, educational purposes (and, as stipulated by Paul, they cannot be used for any other reason). Recently Anna Zalokostas went carefully through the one-and-a-half hour presentation, listening for which poems by Stevens Zukofsky read on that occasion. I was delighted to hear that among these is a beautiful reading of “The Planet on a Table,” a Stevens poem of meta-poetic retrospection. Here are the five poems performed:
reads Wallace Stevens’s “From the Misery of Don Joost” (1:42): MP3
In the postal business, there’s a term of art (as it were): the forever stamp. Forever stamps are always equal in equal value to the current U.S. first-class mail 1-ounce rate. The term has been in use for some years, but hasn’t really been relevant until fairly recently. In eras when rates were stable — we all remember the days when the announcement of a rate increase was an event, causing a slight shock and even protest, something for which we anyway had to plan — a “forever stamp” was essentially superfluous.
As editor of Tinfish Press, which publishes experimental poetry from the Pacific region, I try to put different Pacific poets and poetries in conversation with each other. After 15 years of editing, I no longer think of myself as someone who simply publishes books. Instead, I offer up fields of books, islands of them. The point is to move between these islands, not to stay fixed in one place. In The Radicant, Nicholas Bourriaud (on whom I’ve blogged elsewhere) describes such a poetics this way: “It is a matter of replacing the question of origin with that of destination.” He writes of the importance of the “itinerary, the path” (55), and of the need for movement. I would like to use this space on Jacket2 to get some of these conversations moving. Many, but not all, will involve Tinfish authors; webs of connection attract across time and space and small press offices.