Surely one of the highlights of my involvement with the Writers House Fellows program--which has brought three eminent writers to the cottage at 3805 Locust Walk each year since 1999--was the visit in April 2005 of Adrienne Rich.
I adore baseball in every way it's possible to do so: see it live, play it (rarely but longingly), view it on MTV.TV, read about it. I always read at least two baseball books each summer. (One of this summer's reads is Dan Okrent's Nine Innings.) My interest in the 1950s of course leads me to baseball through another route--actually it's three interests converging: baseball, the 50s, and poetry. The best expression I know of this is Gerald Early's essay published in the American Poetry Review in July/August 1996, "Birdland: Two Observations on the Cultural Significance of Baseball." I put an excerpt from this essay on my 1950s site.
My modern American poetry site is set up alphabetically. I've never had a link under "x." The spoken word poet ("I have been involved in what is now called spoken word since 1982") Emily XYZ wrote to me suggesting that I correct this omission, and so I have.
Does the ubiquity of recordings of poets reading their own poems change the way we teach modern and contemporary poetics? On April 23, 2007, I had a good conversation with Steven Evans about this in my office at the Writers House. Here is a slightly edited recording of that conversation: this link takes you directly to a downloadable mp3 file. Steve's Lipstick of Noise site is subtitled "listening and linking to poetry audio files." I visit the site at least twice weekly.
PENNsound includes a page that lists and links audio and video files of me conducting interviews, giving introductions, and teaching poetry. The page is here and includes links to audio and video of my interviews with Laurie Anderson, John Ashbery, Cid Corman, Robert Creeley, Donald Hall, June Jordan, Carl Rakosi, Adrienne Rich, Lyn Hejinian, Richard Sieburth, Steve Evans, and others. These are just the poetry-related interviews.