My introduction to the recent symposium on poetry in 1960. It begins with a look at a late late 1959 essay by Stanley Kunitz predicting that the 1960s will in poetry be a time of consolidation and not of experiment--that experiment was all exhausted, played out.
Penn's student newspaper, The Daily Pennsylvanian, ran a story in this morning's paper about our efforts at the Writers House to find talented writers among high-school student candidates for admission to the university. Click on the title of this post for a larger view.
Curtis Fox does a weekly podcast show called "Poetry off the Shelf." One week, a program titled "Poetry 911," he featured our "dial-a-poem" service (215 746-POEM). Here's the audio. I spoke with him by phone and was winging it, but I think it came out okay, don't you? Of course Curtis sets up the context for this new phone service: John Giorno's "poetry systems". Go to Ubuweb for the best archive of the dial-a-poem poets.
Last July, Edit Publications launched eleven books expanding Tan Lin's Seven Controlled Vocabularies and Obiturary 2004, The Joy of Cooking (Wesleyan Poetry Series, 2010). These printed editions derive from an event at the Kelly Writers House at the University of Pennsylvania on April 12th, 2010 titled "Handmade book, PDF, lulu, Appendix, Powerpoint, Kanban Board/Post-Its, Blurb, Dual Language (Chinese/ English) Edition, micro lecture, Selectric II interview, wine/cheese reception, Q&A (xerox), film."
Books published include: Purple/Pink Appendix by Tan Lin with an introduction by Danny Snelson, afterword by Charles Bernstein and indexes by Lawrence Giffin, Ashley Leavitt, John Paetsch, Danny Snelson, and Tan Lin. Blurb by Tan Lin. Event Inventory and Documentation (monochrome and polychrome editions) by Jeremy JF Thompson. Selected Essays About a Bibliography, with contributions by forty-eight authors. 7CV Chinese Edition (1-4) (七受控詞表和2004年訃告). 7CV Critical Reader, with full text downloads in PDF format. Printed on demand by lulu.com in a continual state of revision.
Event Editors and Authors include: Matthew Abess, Chris Alexander, Louis Asekoff, Stan Apps, Danielle Aubert, Charles Bernstein, Marie Buck, Lee Ann Brown, E. Shaskan Bumas, Ken Chen, Evelyn Chi'en, Clare Churchouse, Cecilia Corrigan, AMJ Crawford, Kieran Daly, Monica de la Torre, Thom Donovan, Patrick Durgin, Kareem Estefan, J. Gordon Faylor, Al Filreis, Thomas Fink, Mashinka Firunts, Robert Fitterman, Jonathan Flatley, Brad Flis, Peter W. Fong, Christopher Funkhouser, Kristen Gallagher, Sarah Gambito, Ellen Gruber Garvey, Kenneth Goldsmith, Cecilia Gronberg/Jonas (J) Magnusson, Heidi Brayman Hackel, Erin Gautche, Lawrence Giffin, Diana Hamilton, Eddie Hopely, Paolo Javier, Greem Jellyfish, Josef Kaplan, John Keene, Diana Kingsley, Matthew Landis, Ashley Leavitt, Tan Lin, Warren Liu, Jessica Lowenthal, Sueyeun Juliette Lee, Maya Lin, Warren Liu, Dana Teen Lomax, Patrick Lovelace, Dan Machlin, Rachel Malik, Josiah McElheny, Stephen McLaughlin, Joe Milutis, John Paetsch, Asher Penn, Ellen Quinn, Diana Ro, Raphael Rubenstein, Jay Sanders, Katherine Elaine Sanders, Karen L. Schiff, Jeremy Sigler, Danny Snelson, Carlos Soto, Kaegan Sparks, Chris Sylvester, Gordon Tapper, Michelle Taransky, Jeremy JF Thompson, Richard Turnbull, Dan Visel, Dorothy Wang, Andrew Weinstein, and Sara Wintz.
You can download everything at once, or you can purchase individual copies of the volumes - or download each separately. Your friendly blogger here has an essay in the volume called "Selected Essays About a Bibliography." Click here and you should get to a page where you can buy a copy of that book.
Speaking of the 1930s: Carl Rakosi was a member of the communist party and, when he was merely 99 years old, several of us at the Writers House asked him to talk about the problems and possibilities of writing a politically radical poetry. He gave a halting but very thoughtful response. Keep in mind that he was speaking in 2002 about the period 1938-41. It's hard to see clearly through the fog of warring politico-poesis. Many thanks to Henry Steinberg for editing this segment. The questioner is Thomas Devaney. The whole interview with the 99-year-old Rakosi can be found here.
About a year ago Curtis Fox, who produces and hosts a weekly poetry podcast for the Poetry Foundation, spoke with me about our dial-a-poem project, which is part of a telephone system we at the Writers House set up, figuring that it was beginning to be, or was well into, an age once again in which telephony was the site of convergence for many if not all things communication. Which is a probably an over-fancy way of saying something obvious about how many of us walk around with smartphones and do email, texting and of course phone-calling on the one portable device. So when our email weekly calendars get sent out, listing and linking to upcoming events at the Writers House for the coming week, at the top of that announcement is our phone number: 215-746-POEM (215-746-7636). When you're looking at this emailed announcement on a smartphone, the device will automatically make a kind of hyperlink of the phone number (it knows to do this for every 10-digit number it sees). Touch that link or scroll to it and hit your button, and the phone will automatically dial it. Because of this, we figured we ought to be there with some cool telephony, retro and cutting-edge both. Try dialing 215-746-7636 right now and see what I mean. Press "3" and you'll hear a single poem recording from PennSound - a poem read at the Writers House. Press "4" and you'll hear a 1-minute performance from a member of the Writers House community. Click here and listen to Curtis Fox's interview with me about this new/old version of "dial-a-poem."
Today the University of Pennsylvania's main news page features a program in the Kelly Writers House Podcast series. This is a conversation I hosted with Jessica Lowenthal and Jamie-Lee Josselyn about the book Jamie-Lee has been writing about her mother's death. The direct link to the podcast is here.
Nate Chinen, now a music critic for the New York Times, was a Writers House regular as a student and for the year or two afterward. Nate visited us again this past spring and here's a video of Anthony DeCurtis introducing him.