On October 11, 1990, Jackson Mac Low read from Gertrude Stein's Tender Buttons for seven minutes. You'll hear the voice of Charles Bernstein as he and others (members of Bernstein's class at Buffalo at the time) scramble to find a copy of the Stein. Then Mac Low spent a few minutes discussing the "Objects" section.
... Poetry’s unpopularity, or anyway the unpopularity of the kind of poetry I want, is part of its cultural condition and so part of its advantage. Its unpopularity may even be popular; that’s poetic logic for you. How about saying that poetry is the research and development wing of verbal language, better understood as collaborative thinking and investigation, at least for some of the practitioners? It doesn’t necessarily express an individual author’s biographical feelings in a conventionally lyrical manner—a great deal of poetry does that, but a great deal doesn’t. The elitism is not poetry’s, but commodity culture’s, which says that value comes exclusively from the market or audience share. Forms of culture that are not immediately accessible to a mass or popular audience also matter. Difficulty is not an obstacle, it is a material means for engagement with the social real. Yes we can.
Eigner’s On My Eyes, which was published in 1960, was “edited” as nearly all Larry’s books were during his lifetime: by other hands. Apparently it was thought — and I’m not clear about exactly why this was deemed to be necessary — that Larry was unable to do it himself, and needed this “help” to do it.
I really wish that I could do what Judith Goldman was able to do.  I’ve always wanted to give a presentation in which I stop talking and moving my lips but my voice continues on. But whenever I do that, I just get silence … I got very nervous when Chris Funkhouser actually does the full fifteen seconds of silence in Mac Low’s poems. I would have said three or four seconds made the point. It was excruciating, fifteen seconds. We each have only five minutes and you use up that much time?!