baseball fan

Yankee go home (PoemTalk #59)

Paul Blackburn, "7th Game: 1960 Series"

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Paul Blackburn performed his poem “7th Game : 1960 Series,” which had been written in 1960, on or near the first day of the 1971 baseball season, during a reading he gave at SUNY Cortland. The poem was later republished in Blackburn’s Collected Poems (here is a PDF copy). The New York Yankees (Blackburn’s team) were heavy favorites in their series against the Pittsburgh Pirates, and vastly outscored the underdogs in the seven games. But the Pirates won on a home run by a light-hitting second baseman in the final at-bat of the final game (what we now call a “walk off”). As Blackburn introduces the poem, the Cortland audience laughs; listeners to the audio-only recording now might be confused by this, but we think you can safely guess that Blackburn had just put on his Yankee cap.

Yankee go home (PoemTalk #59)

Paul Blackburn, "7th Game: 1960 Series"

LISTEN TO THE SHOW

Paul Blackburn performed his poem “7th Game : 1960 Series,” which had been written in 1960, on or near the first day of the 1971 baseball season, during a reading he gave at SUNY Cortland. The poem was later republished in Blackburn’s Collected Poems (here is a PDF copy). The New York Yankees (Blackburn’s team) were heavy favorites in their series against the Pittsburgh Pirates, and vastly outscored the underdogs in the seven games. But the Pirates won on a home run by a light-hitting second baseman in the final at-bat of the final game (what we now call a “walk off”). As Blackburn introduces the poem, the Cortland audience laughs; listeners to the audio-only recording now might be confused by this, but we think you can safely guess that Blackburn had just put on his Yankee cap.

More notes toward baseball and poetics

With mention of George Bowering and Kevin Verrone

George Bowering and I have exchanged emails every so often about our mutual interest in baseball, and — although this hasn’t been the explicit topic of our casual backs and forth — about why baseball has been such an attraction to poets writing in the experimental tradition. It might just be that because there are so many fans of baseball, and because there are many experimental poets, the demographic probabilities are in favor of producing the Bowerings. But I think it’s more than that. I’m pleased to recommend Bowering’s Baseball: A Poem in the Magic Number 9 (inexpensive paperback available here), but that’s not why I’m writing today. Today I want to introduce you to a book-length poem Kevin Verrone has been writing. It is not published yet but, as I understand it, is complete in manuscript. The title of the book is “Box Score : An Autobiography” and has, in addition to the fairly standard quip about our childhoods from the late Bart Giamatti, a lovely and relevant epigraph from Andrew Zawaki:

: weighted and found wanting
: this unaccustomed light

Verrone’s book is a series of prose poems and here are several:

At the Ball Game

My Note on William Carlos Williams's Little Baseball Poem

The Poetry Society of America's web site is featuring short pieces on favorite poems. Spring and All is perhaps my favorite poetic sequence, for what it's worth, so when asked by PSA to write about a short poem, I chose the "At the ball game" section of the sequence. I was at the time writing an essay for the Cambridge University Press companion to baseball (my first time ever publishing something in print on the beloved game) so WCW's take on the crowd struck me particularly. (My essay for the Cambridge book is on "the baseball fan," a topic I'd written about several times in this blog.) Here is your link to the little essay on the PSA site.

women as baseball fans, the whole poetry

Some thoughts on the importance of women as baseball fans begin with the ironically positive effect of Charlie Finley’s otherwise usually destructive mania for marketing his Athletics. When the team resided in Kansas City, he deemed it a good stunt to hire the first woman to be part of a baseball radio team. Her name was Betty Caywood, and she spent most of her on-air time talking about happenings in the grandstands.

the baseball fan (3)


William Carlos Williams’ “The crowd at the ball game,” a piece of the famous Spring and All sequence, bothers not at all to observe the game being played. Its power as art derives from “the power of their faces,” and it watches fans watching the game and calls the precision with which they do so beautiful. “The crowd at the ball game / is moved uniformly / by a spirit of uselessness.” There is no meaning or purpose to “the exciting detail / of the chase / and the escape, the error / the flash of genius.” These are “all to no end save beauty.” Williams both fears and loves the convergence of unity and diversity at a baseball game. The potential classlessness of the fans makes the crowd far more progressive than the game itself, thus justifying a poem about baseball that only glancingly mentions what happens on the field. Spring and All generally promulgates aspects of democratic culture apt for the modernist keen to observe fragmentation, cultural breakdown, disarray, and the reversal of traditional subject-object relations (observing the seers seeing rather than simply reporting the seen). The modernist’s fan-centered game bore out Jane Addams’ more overtly political question: Did not baseball belong to “the undoubted power of public recreation to bring together all classes of a community in the modern city unhappily so full of devices for keeping men apart?”

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