Articles

'Woodense': A close twinning

Mesbah Alam Arghya
Sukanta Ghosh
Aryanil Mukherjee with a detail of a “thought-schema” sketch of his poem “Woodense.”

A caged tiger who is regularly fed is probably not too keen to escape the quadrangle. Look at him — he’s mostly in the midst of a lazy yawn. A child who has never seen a tiger would find it hard to discover his ferocity behind the metal nets, and might instead be moved by his deep eyes, incisive canines and checkered fur. “Here is my new pet!” he might exclaim.

May 21, 2012

A short response to Alan Dershowitz

Marjorie Perloff

In his Huffington Post piece, “Suppressing Ugly Truth for Beautiful Art” (May 1, 2012), Alan Dershowitz writes: 

Stein, a “racial” Jew according to Nazi ideology, managed to survive the Holocaust, while the vast majority of her co-religionists were deported and slaughtered. The [Metropolitan Museum of Art] exhibit says “remarkably, the two women [Stein and her companion Alice Toklas] survived the war with their possessions intact.” It adds that “Bernard Fay, a close friend … and influential Vichy collaborator is thought to have protected them.” That is an incomplete and distorted account of what actually happened. Stein and Toklas survived the Holocaust for one simple reason: Gertrude Stein was herself a major collaborator with the Vichy regime and a supporter of its pro-Nazi leadership.

May 9, 2012

Gertrude Stein: September 1942–September 1944

From 'The Letters of Gertrude Stein and Thornton Wilder'

Edward Burns
Ulla E. Dydo

Edward Burns and Ulla E.

May 9, 2012

A letter to the editor

'The Nation,' 1987

Edward Burns
Ulla E. Dydo

Published under the title “Three Lives,” this letter by Edward Burns and Ulla Dydo — written in response to Natalie Robin’s article, “The Defiling of Writers,” appeared in the December 5, 1987 issue of The Nation.  You can read the complete text here in PDF format.

May 9, 2012

Joan Retallack on Stein's war years

From her introduction to 'Gertrude Stein: Selections'

Joan Retallack

Stein and History

(The “Stein and History” section of Retallack’s introduction is available here in PDF format.  She wrote this headnote for the Stein dossier.)

In writing “Stein and History” — the penultimate section of my introduction to Gertrude Stein: Selections (Berkeley: University of California Press, 2008), I was trying to understand both Stein’s attitude toward history, something she frequently wrote about from both an American and European point of view, and her sense of what was going on during the Vichy years.

May 9, 2012