Articles

Relocation, 1966–67

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the years 1966–67.

Texts and travels, 1964–65

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the years 1964–65.


18.

Brook Cottage
February 3, 1964

Dear George and Mary,

It was good to know you are having an interesting time là on tout n’est qu’ ordre et beauté, luxe, calme et volupté or whatever.

Beginnings, 1963

The following are the collected letters of poets George Oppen and Charles Tomlinson, as transcribed by Richard Swigg for the feature “Addressing one’s peers: The letters of Charles Tomlinson and George Oppen, 1963–1981.” This section of the correspondence spans the year 1963.

 

1.

Albuquerque
April 15, 1963

Dear Mr Oppen,

Defacing the monument

Rukeyser's innovations in docupoetics

In 1936, just a year after winning the Yale Younger Poet’s Prize, the twenty-two-year-old Muriel Rukeyser arrived in Gauley Bridge, West Virginia, the site of one of the worst industrial disasters in United States history, to work on her next poetry project.

The time-presence prescience of Eleni Sikelianos's Pindar

'Palmier glorieux,' painting by Isabelle Pelissier.

An eloquent and intricate mythmaking propels the fame-seeking in the oh-so-precious collection from the classical world, full and rich in four books, of Victory Odes (sometimes known from the Greek as Epinikia) assigned to the Greek poet Pindar. Coming down to us from the fifth century BCE, this trove of wildly appealing poetry is self-celebrated in Pindar’s own person and, whether or not on cue, has been preserved for the modern reader more substantially than some other exemplars of pre-Hellenistic lyric.