December 26, 1965

Ed Dorn (photo by John Friedman).

26 Dec 65[1]

 c/o 623 Clay St.

 San Francisco


ED —

             I’ve meant to write long ago, once I got yr address from Drew, but an unsettled way of life these past 2–3 months kept its drain of all other energy well-nigh constant. The hand to mouth scene. But here it is Christmas & I’m visiting friends in Palo Alto, listening to Bach violin sonatas & just finished some home-made scones — looking through an atlas I lit on England, & finding the old family home in Lincolnshire (a town named Irby, north of Boston) — I saw Essex,[2] how close to the sea, I thought, & then thought, probably not really, not there — but is it? Anyway, & most, yr novel[3] — I read in a friend’s copy a month ago, & got a copy just 2 days ago, looking at it all again — & here visiting friends who lived up there (Seattle) 3 years — & the drizzle we’ve had here off & on last few days — ah yes, well — it is a lovely book, I mean, its grave & great simplicity, the ‘classic grace’ I think they call it, those who use such terms a lot — perhaps it was/is the rain there, the careful fall of such insistence, soft in its way, that so calms even the terrible twists & the anguishes & the hardnesses, into more penetration, calm & careful, then even seemed to be possible, anywhere. Yrself, in that book. Given no more nor less the place than any other, any object, no ‘coloring’ we can not see so clearly for ourselves. One thinks back to his own surroundings, or I do, & so then searches to be straight & leave such resonances behind — in oneself, most, that then gravitate outward, to all others — as a lingering sense of at ease (because past, & known), or lingering familiar swell in the nostrils — of ‘elemental subtlety’, Shelley sd, Well, yes. There’s a lot in it I cdn’t have so directly come to say 2 yrs ago, I know better of now, of me maybe. So — thank you, yesirree, as they say, for all of that! you’ve made. Means to approach a land: us in it. & San Francisco assumes new needs. ‘Know what is in thy sight & what is hidden will be revealed to you’ as the gnostic gospel says. How true. /
   Well, it’s been cold as nuts here, not real cold, you understand, but for here, yas — 40˚ & clear, nary any rain till Xmas Eve. One finally needs a topcoat or something, though hardy fools (me) go w/o. It’s better than rain, by far. Frost in Marin. The house I’m in over there is colder ’n outside when I get up. Alfred the basset hound & I make do till stove’s heated up. //

                                                                                                                           Several hours later, having gone to the airport to meet someone who didn’t show up — frustration, & need 3 shots  of bourbon to ease, but got that Christmas Eve evening & suffered the next day all. /

                                                                                                                           So — Duncan says he has undergone a ‘conversion’ to yr poetry w/ the two in Paris Review[4] & seemed very enthusiastic abt them. When is Geography[5] to be out?  /  Kelly writes he’s finished a novel, THE SCORPIONS,[6] that’s making the rounds […]. I discover the debate coach at SW Missouri State, Springfield, Mo., whom I knew, in my college yrs, is Jack Spicer’s brother. Strange connectives. Yeah — I’m thinking strongly abt going back to school for a year & getting a library degree (!yas) — i.e. a ticket — the work thus available is plentiful & pays decently well. If I can make it through the year w/ some sort of work till fall — employment’s a problem here in SF unless y’re an engineer or ‘management trainee’ which neither one of I ain’t —     

                                               I spent Xmas Eve translating 4 poems of Mandelstam’s — the Soviet poet who disappeared somewhere in Siberia abt 1938, victim of Stalin’s dislike. It then so happened that the NY Review of Bks this current issue has a spread on Mandelstam — 9 poems translated by Robt Lowell, & two essays on him.[7] The interest I guess is in his having been a victim of ‘the Soviet System’ etc etc, whereas some of his most notable poetry dates way before the 30s, Anyhow, worthy of attention for his poetry, whether he pissed Stalin off or not. /

Yeah — So I stick them in, plus a couple of other things—hope all is a-swing there, one way, or somehow, or other, cold or no. Johnson[8] grows more noxious & destructive every day. Such sickness to look around at the massive spending & display of Xmas in the U.S. Scrooge emerges hero. The English must be less despicable in this regard, but God knows — or whether it matters. Let me hear from you — & is Montgomery[9] still maybe interested in a book of mine?

                                                                                                                                                HANG LOOSE!                                                                                                                          


                                                                                                                                                                          — Ken

& as a lagniappe —

Eating — listening to Coltrane’s “Favorite Things”,

 it is 4 years since I heard it first. And a half.

Mountain fastnesses     I used to think of Santa Fe

and perched on the sides.  As to get to your house

was on a “camino sin nombre”

got drunker & drunker.  It was in the summer, anyway,

& not the first time I’d been there.  & there was a Nation

with a poem of yrs in it.  And yr new book.

 And you played “My Favorite Things” you’d just got.


 It is the fall of light     through the hair, the teeth

there is no rest     but there is calm in that country     toward sunset

— 22 Nov 65

5 JAN 66 — Rains here now, in fact floods here in Marin County this morning — 5.8 inches of rain in the last 24 hrs — solid, heavy rain for the last 2 days & nights — let up now — w/ Mt Tamalpais looming above & behind me now / Drew talks more earnestly abt up & leaving SF soon, lately — we share that same desire to be on the move, but more, to be in the open, out of this city, out of any such confines. SF is a concentrated place, all packed into the end of the peninsula — the more since you can see around you & know the vistas there, the spaces on off — yeah — & reading abt Powell’s exploration down the Colorado,[10] much less thoughts of Kansas always in the brain. This city’s changed me, Ed — I can tell, the kinds of attentions & perceptions I come to increasingly are of smaller particulars, what’s seen out windows (but that’s always w/ me) — well, yes, a city — but a dreamier quality at times, a greater preoccupation w/ inward searching, mystical writings, Charles Williams,[11] Witchcraft, contemplation, viz., where the poem herein, on the ‘Plateau Province,’ goes as the end[12] — Perhaps it is me, only, or mostly, anyway — yet the feeling of the city’s role persists, too — I long for them plains  / 

                                                         So it is a love affair of mine, that country — & I keep trying to make that into greater significances, as if it weren’t so, that it’s my love affair, but one of all men —? Or, how do I make it one of all men, in the midst of such shit & failed grand promises the US is today? That’s, then, the question, & the need — or it seems clearer to me than ever — how I feel abt that, this country, is only a first step, is no subject in itself — the particulars of the whole life are where my predispositions, love, only enter, the interstices into.
                                                                                                  It seems more & more the case, though, that such lands as those I grew up in, are less changed — spoiled I mean — than here, Calif., land of magnificent vistas & formations like none on earth, slowly & steadily fucked by tracts billboards freeways & waste dumpage. / But that’s not to be avoided, anyway. I love this goddamn land, all things only reinforce that — & love is no means to do anything, by itself, but love. The goods of the intellect, lead on. I by God, want to live here, w/o rancor — to enjoy myself, by God — & not be an idiot. O, so slow I am —


but anyhow — how are you all there in bloody England — cold as a witch’s tit (now I know why — the Devil & his cold cock, too!) — can you get up to see Bunting[13] in Northumberland? or have you? Goddamn I was reading his poems again the other night (& that SPOILS[14] too) & lord, I respect that beautiful tight, lean, muscular line — how few English (or European) poets ever tell us abt what’s really right around them (specifics, or at least sharp & precise aromas of what’s around them!) — I get more of the sweat of a farm in Northumberland from Bunting than a 100 yrs of all other English poets abt farming anywhere — oh well — fuck propriety, give me details! (not just details, intelligent perceptions — i.e. what are a-happening?). Equally, to yrself, I long to know yr scene & action /

                     & once again on yr novel, how much it infects my innards & imagination w/ the sharpness of yr placement there — oh lord, as the rains fall, the more — //

                                                                                                                                           how’s the music scene there? any chance to hear American jazz groups, going through, a-tall? (i.e. Ornette, Archie Shepp, Izenzon, the new cats?)[15] they’ve been over there nearby somewhere (sounds like folks back home writing — why don’t you look up so & so some weekend down in L.A. — whew! — so forgive my lack of geo-graphical per-spective) /

                                                            My best to Helene & Fred & Chan & Paul — & you all hang loose   .   Keep well —           

  love       Ken


1. Irby to Dorn, 26 December 1965, box 13, folder 137, Edward Dorn Papers, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.

2. Dorn held a thrice-extended Fulbright teaching grant at the University of Essex, Colchester, England, from fall 1965 through spring 1968. He’d been hand-picked to teach literature of the American West at the insistence of the head of the department, Donald Davie, with whom he had a falling out late in May of 1968 when the students of Essex, taking up an international movement, occupied their school, renamed it the Free University of Essex, and managed to fire a good deal of the disapproving faculty, of which Davie was one and Dorn was not. Davie was also upset at certain personal choices Dorn had made over the previous six months — namely, his recent divorce (from Helene Buck, his wife of fifteen years, with whom he had a son, Paul) and his subsequent relationship with Jennifer Dunbar, a twenty-two-year-old former student with whom, a few months earlier, Dorn had moved into a house in Colchester. Amid all the upheaval, Dorn spent three weeks in the spring of 1968 in Lawrence, Kansas, as a writer in residence at the university (along with Joseph Heller), as well as the full spring semester of 1969 as a visiting professor, this time with Dunbar, who was pregnant with their son, Kid Lawrence, born in Taos, New Mexico, in early August 1969. It was during these relatively brief stays that Dorn befriended John Moritz and Max Douglas. Dorn and Dunbar were married in late 1969 while visiting the Creeleys in New Mexico, and remained married until Dorn’s death, on December 10, 1999. Throughout the ’70s, especially, the couple frequently returned to England, home to Dunbar’s family (including her twin sister), and to Essex, where Dorn taught on and off as a visiting professor. See the introduction to Tom Clark’s Edward Dorn: A World of Difference (Berkeley: North Atlantic Books, 2002); Donald Davie, These the Companions: Recollections (Cambridge: Cambridge University Press, 1982); Dorn, Interviews, ed. Donald Allen (Bolinas: Four Seasons Foundation, 1980); Dorn, Ed Dorn Live: Lectures, Interviews, and Outtakes, ed. Joseph Richey (Ann Arbor: University of Michigan Press, 2007); and my own article, “‘You Are Sometimes in the Trance of What Is Beyond You’: Upheaval, Incantation and Ed Dorn in the Summer of 1968,” Jacket 38 (Late 2009).

3. Dorn, The Rites of Passage: A Brief History (West Newbury: Frontier Press, 1965). The book was reissued with a new title, By the Sound, in 1971.

4. “Song: The astronauts” and “The problem of the poem for my daughter, left unsolved” both appeared in The Paris Review 35 (Fall 1965), and were included in Dorn’s 1965 book Geography. Tom Clark, a graduate student at Essex studying Pound with Donald Davie, was the poetry editor of The Paris Review at the time.

5. Geography (London: Fulcrum Press, 1965/1968).

6. Robert Kelly’s The Scorpions (Garden City: Doubleday, 1967).

7. “Nine Poems by Osip Mandelstam,” trans. Olga Andreyev Carlisle and Robert Lowell, The New York Review of Books, December 23, 1965.

8. Lyndon Johnson (1908–1973).

9. Stuart Montgomery, founder and editor of Fulcrum Press, London, England, which published a number of Dorn’s books in the ’60s. Fulcrum did not publish any books by Irby.

10. See endnote 9 (“April 30, 1963”).

11. Charles Williams (1886–1945), British poet, novelist, and spiritualist.

12. Irby refers to an early draft of the poem “Relation,” later the title poem of his book Relation: Poems 1965–66 (Los Angeles: Black Sparrow Press, 1970); the poem was also included in the 1973 anthology America a Prophecy; see endnote 16 (“February 12, 1974”).

13. Basil Bunting (1900–1985).

14. Bunting’s three-part poem The Spoils was published by Tom Pickard (Newcastle-upon-Tyne: Morden Tower Book Room, 1965).

15. Ornette Coleman (b. 1930), jazz musician and composer; Archie Shepp (b. 1937), jazz saxophonist; David Izenzon (1932–1979), jazz bassist. At the time of Irby’s letter, Izenzon was the bassist of Coleman’s trio, though both musicians sometimes played with Shepp, as well.

February 12, 1971

Ed Dorn (photo by John Friedman).

12 Feb 71[1]

ED —

               My God I’m so slow getting this to you — thanks for yr card esp. tht Alex. Ham. brass balls special[2] — I told myself 1 Jan I wdn’t write till I cd send on the poems enclosed — I thought a quick job to get together, but here it’s 1½ months later before there’s anything like done to send — but here they are, howsomever —
                                                        look, please tell me any thing you can abt these[3] — maybe especially the one for Max[4] — I’ve been in it since Oct & down so long I don’t know up no more, or out of it, or where — so any thing you can tell me wd be pure gold (or title? any ideas on that?) —
                                                                                                                                                                 Kelly was here end of Jan & he dug the Max poem a lot thought I shd get it out & into the various heads/hands directly, but it’s not clear to me how I can do that — Jack Shoemaker’s[5] sort of interested, but has abt a 6 month backlog to get through — haven’t sent it to Martin[6] yet, but what can he do w/ just a small bk? Wd/cd Harvey Brown?[7] or wd that be a year or more getting out even if he wanted to do it? Maybe mimeo it myself. Well, hog balls & wormwood, no matter now. I want you to see it, & I’ll fret the other shit later.                                                                                                                                                                                           I didn’t know Max of course — I met him one evening last summer here, at Bromige’s — but I took off for Oregon the next day — so Kelly’s right when he points out Max is emblematic in the poem — not addressed as a friend, really, nor grief of the close parting — yas, I know that — his death was suddenly the occasion for so much to get said — however strung out & hodgepodged — to him, or where he was from, the areal person — suddenly gone
                                                                                                                                                           Well, all that’ll be clear to you w/o me elaborating — violá //

     Aside from recent  flurries of trashing, car burning, street sashays, etc., things have been quiet (except in LA of course) — the sudden heavy scent of early powerful spring here — cherry blossoms thick & the earth fermenting — always unbelievable for a Kansas/Texas man like me — as Feb must be still a freezer w/ you up thar —
                                                               Spring sometimes vertiginous here, as I woke up this morning dizzy, from a dream of catching mice — something I ate, surely! & a heavy smog.

       Been rereading all the Sauer Pleistocene pieces, but where does one go from there — any takes on what else has been done, & since? Or any references on, say the Aztec–S.E.–U.S.–Indian/Mound builders trade? Maybe it was the Jews, as I see one man recently’s opining abt some Tennessee rock inscription — rock art certainly seems a next heavily accessary close attention — what’s between (as lines) sites on the map — Sauer suggested St. Louis was the nerve-center of Pleistocene N. America, & Calif. a dead-end drift — but what’s connecting, in between? (So there was Max, who might, in time, have found out, St Joe is such a weird crossroads — alas, who’s up to it now?). Kelly talked abt some guy’s notion that there are literal lines on the ground (visible from air in some cases, still?) connecting all the important early Neolithic centers of Europe (or earlier than that — meso- ?)[8]

                                                                                                                                                                            I dunno, questions as usual — somehow in my still dizzy brain (& stomach) this spring morning, its bound up w/ the roots of jazz in the Great Plains — Coleman Hawkins was from St Joe, after all, & went to Washburn in Topeka before he ran off w/ Mamie Smith’s Jazz Hounds c. 1923 (the year C.O. Sauer came to California & joined the freaks & exotica)[9] — & Scott Joplin, I mean! Sedalia! From Texarkana! (if you haven’t, GET the new Nonesuch disc of S. Joplin’s piano rags played by Joshua Rifkin — they are great pieces of the finest sort[10]) — & Charlie Christian from Oklahoma, Buck Clayton from Parsons, before he went off to Shanghai & played in a dance hall from 1934–36 — oh well, all the cross currents & travel lines of jazz in Kansas, Missouri, Oklahoma, down to Texas of course — Walter Page’s Blue Devils, Andy Kirk’s Clouds of Joy, Mary Lou Williams — & of course the K.C. scene —
                          but all those lines of movement — in that refractory space of the Plains, focus also on the Ice Age lines of movement — my lord, yes —
                                                                                          well, so it goes — maybe I’m coming down w/ some cunning virus (o Harvey)[11] — all this febrile trembling over the table as I write this —
                                                                                                                                                                Anyhow — how are you all? & what’s up? & let me hear from you —
                                                                                                        Is the Malin thing still a go? This summer my brother will be out here teaching at U.C. — & I think I cd, using his access to the U.C. Library etc, get the texts together finally, if you still want to collaborate on an introduction & if Harvey Brown will still do the book — I want to, if you’re game —
                                                                                            At any rate, do let me hear whatever, & esp. on these mss. enclosed — ¡Salúd! to you all —





1. Irby to Dorn, 12 February 1971, box 13, folder 137, Edward Dorn Papers, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.

2. Dorn’s poem “The Poem Called Alexander Hamilton” was published as a broadside by John Moritz’s Lawrence-based Tansy/Peg Leg Press in 1971.

3. Aside from “To Max Douglas,” it’s not possible to determine which poems Irby is referring to, because they are not included with the archived letter. “To Max Douglas” was published as its own book (under the same title) by Tansy Press in 1971. A second expanded edition of To Max Douglas, which included the poems “Jesus” and “Delius,” as well as an introduction by Dorn, was published by Tansy in 1974.

4. Max Douglas (1949–1970) was a poet from St. Joseph, Missouri, and Dorn’s student at Kansas University in 1969. By the time Douglas died from a heroin overdose at twenty- one, he’d published a small volume of poetry, along with numerous poems in small magazines, like Caterpillar. His Collected Poems was published in 1978 by White Dot Press.

5. Jack Shoemaker, cofounder, with Victoria Shoemaker, of the Berkeley-based Sand Dollar Press, active from c.1970 to c.1977 and cofounder, with Peter Howard, of Small Press Distribution.

6. John Martin, who founded Black Sparrow Press in 1966, published Irby’s 1970 collection Relation and many of Dorn’s books, including Gunslinger, Book I (1968) and Book II (1969).

7. Harvey Brown, founder of Frontier Press, which published The Rites of Passage: A Brief History (1965; later titled By the Sound), Gunslinger Book III: The Winterbook (1972), The Cycle (1971), Twenty-four Love Songs (1969), Songs: Set Two — A Short Count (1970). Brown was a close friend of Olson, Dorn, Irby, and many other New American–era poets.

8. Irby is perhaps referring to John Michell’s book The View Over Atlantis (London: Sago Press, 1969), or to one of its primary subjects, ley lines, and their earlier discoverers, such as British amateur archeologist Alfred Watkins (1855–1935).

9. Cf. To Max Douglas: “The Berkeley climate of exotica / Sauer’s home // these almost 50 years, Kroeber’s / their houses just across the street from one another // Arch / and Rose // Grenier at one end / Bromige at the other[.]”

10. [Irby’s handwritten note]: (as people like Tenney are onto writing their own rags now). James Tenney (1934–2006), American composer and musical theorist.

11. Harvey Bialy (b. 1945), American molecular biologist and writer.

July 7, 1966

2009 Rose
Berkeley, Calif.
7 Jul 66[1]

ED —
Here at last are two more copies of that photograph of Red Cloud, all that Brodhead had left.[2] I wish there were more, to proliferate that image all around England & the Continent, but then. Hopefully these will help. /  Here everything is very quiet & almost idyllic. I had to go back to Kansas again in May—& while there it not only thunderstormed, as if for me to see it, but it hailed abt hensegg size tearing hell out of the greenhouses and forcing (!) the car dealers into sudden precipitate sales. I’d never noticed till then how different a green the foliage is there, as compared to here, say—how much lighter green it is in Kansas than the very dark here (eucalyptus, evergreens, camellias, fruit trees). On the way back on the bus I stopped off in Placitas, but Bob was still in Europe; the 5 days I spent at Goodell’s[3] were the most peaceful & pleasant possible return to that country — the thirst, appetite, longing, for it, however much submerged & covered over, depressed, by living elsewhere & by the bad things remembered of living there, comes out completely, takes over again — that vista off toward the Jemez, Santa Fe, leave residues forever in one. No wonder Max[4] went back, however desperate Santa Fe is. /  Here, as I say, things are very quiet. I wallow sensually in the weather the way some people do in food & liquor. This is the foggy season but there hasn’t been much till lately. Even so, by noon these days its cleared off & like today you can see Marin clearly, Mt. Tamalpais & Angel Is., & SF; 60 out & the sun out. So I sit here writing this, with all that out both sets of windows, the bay on one side & the hills on the other — listening to John Cage, records out of the public library. /  The library school here at UC has accepted me, so barring catastrophe (like the GI bill money being screwed up somehow) I shd be set for the next year — they’ve given me a research asstship which with the GI money shd be barely enough to get by on. For one year’s work I get a MLS degree which means I can get a librarian job; that pays, that is; without the degree, nothing. & I’ve abt concluded a library job is abt the ideal for me, better than teaching & with access to at least one major source (category) of information; books etc., by its nature. So. /  I’ve also started working on Cabeza de Vaca, with the intent of writing a long poem on, or from, him, his account. I’ve just finished Hodge’s edition of the Relación (T. Buckingham Smith’s translation),[5] & am going through Morris Bishop’s biography;[6] having also read Sauer[7] again (The Road to Cibola), on the western end of his trek; & am trying to get hold of Cleve Hallenbeck’s book[8] on retracing the whole trip (he went out & found that most of the trails are still followable today, were Indian trails used over & over again before & after CdeV). I’ve got Haniel Long’s interlinear here,[9] of course, & I’m pleased (never having read the book before, just looked at it), how much of the central concern that’s brought me to this work, is what Long was dealing with too. It is a study, of course, that could take the rest of my life, and even if Olson says, after 14 years or so on one such subject you’d know it & cd then deal with anything.[10] I dunno how far or long. But already it leads afield, back to WP Webb, of course, and on to Sauer’s new book just out, The Early Spanish Main,[11] dealing with Spanish colonial policy 1492–1519, i.e. up to the conquest of Mexico — as well to a much more firmly grounded botanical study, etc. Well yes. After all, I forget too often, I was born in Texas & lived there almost 4 years before going to Kansas. Maybe this will be, finally, the point I’ve sought & never got to, that will begin to connect all the other points I’ve wandered from & to. /  As a poem, I ain’t sure of much, haven’t written anything yet. The specific appetite came from hearing Bunting[12] (tape) read that wonderful “Chomei at Toyama,”[13] that means of using another man’s words & aromas; but what Ill come to I dunno a-tall. I don’t want some “retelling,” a narrative that wd only dilute the much more compelling & vital original. Long’s is all right, it’s his work, really; & its revelation is demanding. At any rate, the decision finally seems (so I feel now) to have nothing to do with me, my self, will, but comes from the substance of CdeV’s account, that country, his acts, the fact of that relation. /  I’ve abt decided anyway I don’t have anything original or very profound to offer, my own thought that is; I can best work letting what is around me come out, giving that. Somewhere I remember a statement you made something to that effect — was it? //  Not much happening here, but Neruda did read at the campus abt a week ago — Duncan & Bromige came to dinner, & we all went up to hear him — he is a heavy, solidly set man, squarish, with a large, balding head & heavy eyelids. Some actor-fink read the English translations. But Neruda’s own reading was very impressive — he reads in the traditional Spanish dramatic manner, but not melodramatic — rising at times to an almost ecstatic pitch — more like speech, though, than most Spanish declamation ever gets to be. As seems to be typical here, the reading was held in an auditorium that even ahead of time was clearly too small, & many people were turned away at the door; I went out to pee & almost had to fight the ushers to get back in where my coat was on my seat. Ginsberg was there, came over & kissed Duncan, who said, my my people will talk, & Allen sd, o let them. So. /  Last Saturday there was a benefit reading for Sinclair[14] & the Detroit workshop, at which I saw Gino,[15] after months — his left arm in a sling — he looked up one evening & some guy’s hand was coming in the window; he rushed headlong to push the window out against this guy, & ran his own hand clear through the window, slicing it up badly. Whew. /  Tonight I’m going to see the Japanese movie (from Lafcadio Hearn ghost stories) Kwaidan;[16] & tomorrow night 900,000 people are coming to dinner for curry. Sometimes things seem too quiet & easy (easy?), but they really aren’t, so I don’t worry. /
                                How are you all? You’re staying another year I hear. Tell Stuart Montgomery (as if he needs to be told) the books he is putting out are magnificent — that Bunting Loquitur is lovely beyond compare.[17] /
                                                 So, enough. Creeley I hear is coming to SF for abt a month, next month I guess. Hopefully finally Ill be able to see him again, after missing three times in a row. Let me hear from you. Hang loose.


                                                                 — Ken



1. Along the right margin of this letter, Irby has drawn a flower in black ink, with a handwritten note above it that reads: “(Voodoo Lily ~[see July 16 Scientific American]).” Irby to Dorn, 7 July 1966, box 13, folder 137, Edward Dorn Papers, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.

2. See endnotes 2 and 3 (“April 17, 1966”).

3. Larry Goodell (b. 1935), poet and founder of Duende, which ran fourteen issues between 1964 and 1966, published Irby’s The Roadrunner Poem (Duende 4, 1964) and Movements/Sequences (Duende 8, 1965).

4. Max Finstein (1924–1982), American poet.

5. Alvar Nuñez Cabeza de Vaca, La Relación, trans. Thomas Buckingham Smith, in Original Narratives of Early American History series, ed. Frederick W. Hodge (New York: Scribner, 1907).

6. Morris Bishop, The Odyssey of Cabeza de Vaca (New York: The Century Company, 1933).

7. Carl Ortwin Sauer (1889–1975), cultural geographer who had a very significant impact on Irby’s poetics. For further information, see Irby’s prose pieces on meeting Sauer and Malin elsewhere in this special feature. Sauer, The Road to Cíbola (Berkeley: University of California, 1932).

8. Cleve Hallenbeck, Alvar Nuñez Cabeza de Vaca: the Journey and Route of the European to Cross the Continent of North America, 1534–1536 (Glendale: The Arthur H. Clark Company, 1940).

9. Haniel Long, Interlinear to Cabeza de Vaca (Santa Fe: Writers’ Editions, 1936).

10. See Charles Olson, A Bibliography on America for Ed Dorn (Bolinas: Four Seasons Foundation, 1964). Olson writes: “Best thing to do is to dig one thing or place or man until you yourself know more abt that than is possible to any other man. It doesn’t matter whether it’s Barbed Wire or Pemmican or Paterson or Iowa. But exhaust it. Saturate it. Beat it. [//] And then U KNOW everything else very fast: one saturation job (it might take 14 years). And you’re in, forever” (13).

11. Sauer, The Early Spanish Main (Berkeley: University of California Press, 1966).

12. Basil Bunting’s poem, first published in Poetry: A Magazine of Verse 42 (September 1933).

13. British-born poet David Bromige (1933–2009) shared the 1973 special issue of Vort 3 with Irby.

14. John Sinclair (b. 1941), American poet, manager of the MC5, founder in 1968 of the White Panther Party, an antiracist group organized to assist the Black Panthers.

15. Gino Clays, coeditor (with Drew Wagnon) of Wild Dog, nos. 10–18. See endnote 9 (“October 21, 1964”).

16. Lafcadio Hearn (also Koizumi Yakumo, 1850–1904), author of Kwaidan: Stories and Studies of Strange Things (New York: Houghton, Mifflin and Co., 1904). Japanese film director Masaki Kobayashi adapted Hearn’s stories for his 1965 film Kwaidan.

17. See endnote 9 (“December 26, 1965”). Montgomery’s Fulcrum Press published Bunting’s Loquitur in 1965.

May 14, 1972

14 May 72[1]

ED —

               Curious dream in which yr name occurred — newspaper article, mentioned you (& Duncan McNaughton —!)[2] as war correspondents in Vietnam — also simultaneously engaged in
geophysical investigation of “verves” — large stone ridges — or the people who lived among them —
unclear newsprint photographs accompanied — reports from Elsewhere

                                                                                                                                          Everything winds down to its finalé here at Tufts, amid a bit, finally, of real Spring — i.e. leaves flowers emergence (grass was here all along, actually) — I distrust pushing my truck for another transcontinental traversal, but a student I know’s driving west w/ his girl in a new VW bus in June, returning in August, I may very well travel w/ them — away, at any rate, from here for the summer —
                                                                                                                                The tape from yr reading here has a rather low volume level & a hum when the loudness is boosted, but the audience seems much much more vivacious than on the Brown tape — at any rate, worth saving (esp. since very little was duplicated in the two readings) — I’ll try to get it copied & bring it out in the summer — the quality of Bialy’s tape is definitely high grade (but what a cold sepulchral auditorium that was!) —

                                                                                                                                                                       I seem to keep circling back on the Kansas/Missouri borderland all spring (Sauer once in a dream told me to attend to that area: specifically the Missouri side, a band abt. as deep as Sedalia — it seemed so obvious I didn’t pay much attention for a long time) — not that I really want to in every regard — I begin to feel like the Chamber of Commerce Tourist Bureau — it only seems there again, as a means to get out, or on from, of locality into another distance/dimension — how/where do you think you made that shift yourself? (a translation of dimension/address, it feels to me, after the work in N. Atlantic Turbine[3] or am I purely imagining that?)[4] — much of the time efforts I have made that way seem to me only to have shifted the locale — to another part of the country, say — rather than on off altogether —
                               I’ve got this house, see, that for the moment is in Lawrence, but may be (has been) other places (like early Ft Scott, or Galena, except for a literal glacial edge, at this instant) — & a set of “characters”/operators — Dr Dee[5] definitely, & Delius,[6] & some Haitian sinister notables newly arrived (or abt to arrive) — or John Brown,[7] plus — merely a presence so far, not a person — someone very much like the Whore of Babylon grown old — it’s really her piece/place — all this not a play, not a set of voices — I’m interested in simultaneous rooms — it so far only feels like an assemblage of tokens — if we take the dimension of the local as X, then that aspect of it as simultaneous ages of history/places in geography may not be another dimension altogether, but we might designate X' — X prime — then — it’s the dimension that is beyond that, that all that fiction, of story, seeks, yearns for, yet but there

                                                                         I don’t know that stating the situation in these terms is even helpful — one reason I dig around in Dee & Kelly’s skrying session is the intimation of another language there (not just some romantic biography that lures), that is present and all around me if I wd/cd hear it — i.e. all this talk of dimension — the dimensions are of here, this present, this actual — so as the heart leaps, as it warms in me as it attends those places I approach, or merely name, it knows the leap, the warmth, is for, or of, another, coinherent, realm …
                                                                                                                                  “The glory is the thing happening; it is not, though in our talk we seem to make it so and can only believe in it so, an accident of the thing happening. The glory of God is in ‘facts.’”
                                                                                                                   as Charles Williams wrote, I read to my class last week — as Kelly wrote me recently: “Some times I wake up & realize I’ve been living in the profane for weeks …” — ah yes

Dee wrote:
                     «I have oftentymes … and many ways, looked into the State of Earthly
Kingdoms, Generally, the whole World over: … being a Study, of no great Difficulty: But, rather, a purpose, somewhat answerable, to a perfect Cosmographer: to fynde hym selfe, Cosmopolites»[8]


& in another place:

«But … more ample is our Science, than to measure Plaines: and nothyng lesse therin is tought (of purpose) then how to measure Land. An other name, therefore, must nedes be had, for our Mathematicall Science of Magnitudes: which regardeth neither clod, nor turf: neither hill, nor dale: neither earth nor heaven: but is absolute Megethologia: not creping on ground, and dasseling the eye, with pole perche, rod or lyne: but liftying the hart above the heavens, by invisible lines, and immortall beames: meteth with the reflexion, of the light incomprehensible …»

                                                                 (from his preface to Euclid)[9]

•         •         •

     S. Indian Karnatic vina musio on air radio — writing office looking out over the campus SW off the hill — wind fierce, sky cotton-boll clouded — Sunday noon quietudes —

                                                   hope all is well with you all — let me hear from you as you can — & hope to see you out there sometime abt ¾ of the way through June, or subsequent —

Hang loose

                                                                                    love    Ken

(enclose some prose from the local student newspaper)[10]

I reckon you’ve seen Penrose’s article in current Sci.Amer, on Black Holes? (lot of other goodies in this issue) //[11]



1. Irby to Dorn, 14 May 1972, box 13, folder 137, Edward Dorn Papers, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.

2. Duncan McNaughton (b. 1942), American poet, cofounder of the New College in San Francisco (where he invited Irby to give three lectures on Whitman in the spring of 1986), and close friend and correspondent of Irby’s.

3. Dorn, The North Atlantic Turbine (London: Fulcrum, 1967). In the jacket note for this book, Dorn writes: “In ‘The North Atlantic Turbine,’ the poems since ‘Geography,’ I have tried to locate another hemisphere. And I want this collection to be the last necessity to work out such locations. I think I can now see my way clear to a spiritual address. I don’t feel that possibility as a ‘mellowing’ but more a transfer from an energy factor of my practice to an altogether direct plane of intensity I hope to find my place on. That non-spatial dimension, intensity, is one of the few singular things which interests me now. […] I have begun to do two things already: 1) Follow the vision of ‘Thesis’ (The poem which leads this collection) and 2) explore the mythification of the Gunslinger.” See Dorn, Collected Poems (London: Carcanet, 2012), 924–925.

4. [Irby’s handwritten note]: i.e., that it was decisive there

5. John Dee (1527–1608), Welsh mathematician, alchemist, astrologer, occultist, navigator, and much more.

6. Frederick Delius (1862–1934), English composer, about whom Irby wrote a lengthy poem, collected in the expanded edition of To Max Douglas.

7. John Brown (1800–1852), abolitionist, organizer of Pottawatomie Massacre and the raid on Harper’s Ferry, for which he was hanged.

8. From Dee’s General and Rare Memorials Pertaining to the Perfect Art of Navigation, printed by John Day in 1577.

9. From Dee’s “Mathematicall Praeface to the Elements of Geometrie of Euclid of Megara,” the first English edition of Euclid, translated by Henry Billingsley, in 1570.

10. These documents are not included with the archived letter.

11. Roger Penrose, “Black Holes,” Scientific American 226 (May 1972). In the original letter, this addendum appears in the margin at the top of the first page, directly above the date.

September 27, 1973

The Irby family in Denmark, 1974.

27 Sep 73[1]
[Copenhagen, Denmark]

ED —
            Slow getting around to writing, getting settled at last, classes starting etc. Got a good apt finally, after 2 wks of searching, having things slip through my fingers, etc — its a hard place to find housing in, much less being able to afford it — but this place, in Christianshavn, the “bohemian” or “hippie” part of town, an area of cold buildings and canals & the remains of the 17th cent. fortifications and moat, certainly works out very well, with dishes, coffee grinder, utensils etc already in it — at 1000 Kr per month, with the dollar abt 5.7 Kr these days /  The classes don’t amt to much in the way of attendance: 2 in one class 1 (today at any rate) in the other — one Dane, one American, one Canadian! So the year’s my own really to use as I want // […] ANYHOW the days go by glorious & sunny, only a little of the usual Danish rains so far. I want to get the book ms. together for Moritz[2] but also wonder with his marriage split-up what chance there is of him getting anything out for some time to come. Have you got any ideas of other places/people/outfits might be interested — some collection of my stuff 68–72 or thereabouts —? // The trip over on the France was luxuriously a bore, the food good (but not great — the fish, for one thing, was frozen cardboard, no amt of sauce cd disguise —), copious, as was the table wine — drinks in the bar as expensive as NY, except Amer Picon, which I drank up all of their supply of — except for eating, I mostly slept & read Oliver Onions[3] ghost stories, talked with the Hellmans & smoked up the rest of my grass, fearing the customs which in fact did not materialize at all, nothing, neither in Germany nor Denmark. So far the only dope Ive gotten here has been so weak as to be pure fragrance of imagination of better times past fondly remembered, but hope springs eternal // How’s wid y’all? Bialy’s last letter suggested you were living in Riverside, verdad?[4] At any rate Im writing you there as best. /  Did you ever get the piece off to Alpert?[5] If not Id be mildly curious to see it myself, if you cd zip along a xerox //  Have almost 2 wks off the middle of Oct thinking of going with Ruth[6] somewhere warm and “exotic” like Crete, if all the tours aren’t booked up as they tend to be months in advance — have thought also of London but realize I don’t know anyone there except Michael Hamburger[7] and him only slightly — then there’s Jonathan Williams[8] up in Yorkshire […]. The way travel agencies are here, and the way expenses are living here, its really cheaper to travel than stay at home, as long as you take one of these Danes-en masse-lie in the sun and drink-nothing else kinds of sashays. //  Otherwise I haven’t been travelling much so far, only got paid yesterday, for one thing — have slipped over to Sweden on the ferries 3 times, twice to watch birds with a birdfreak friend, once with Ruth to see Carl F. Hill’s extraordinary drawings in the Malmö museum (1849–1911, painted in France, went crazy c. 1878, mad the rest of his life, put away in Lund, his birthplace — the drawings from his years of madness are among the most impressive things I’ve seen in years, crazily prefiguring all sorts of later developments, but a world of their own, regardless of such comparisons). //  Anyhow, things go on comfortably, & certainly Copenhagen is a very lovely city to be in, the pace of existence much less frantic here than US (it is also as you might guess a pretty expensive place to live, too), & the people, if a bit bland, very agreeable. And the pay is good.
                                                                                  / Hope all goes well w/ you — let me hear from you




1. Irby to Dorn, 27 September 1973, box 13, folder 137, Edward Dorn Papers, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.

2. John Moritz (1946–2007), poet, student of Dorn’s at the University of Kansas, founder of Lawrence, Kansas–based Tansy Press and magazine, which published six of Irby’s books. See endnote 3 (“February 12, 1971”).

3. Oliver Onion (1873–1961), British novelist.

4. Dorn was regent’s lecturer at University of California, Riverside, 1973–1974.

5. Barry Alpert, founder of Vort, which printed nine issues between 1972 and 1976. Vort 1 featured Dorn and Tom Raworth, and Vort 3 featured Irby and David Bromage.

6. Ruth Palmer, a friend originally from Berkeley, living in Copenhagen with her young son, Tad, and working as a nurse.

7. Michael Hamburger (1924–2007), British translator, poet, and critic.

8. Jonathan Williams (1929–2008), American poet, essayist, publisher, photographer, and founder of Jargon Press.